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DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260608
DTSTAMP:20260404T222700
CREATED:20260303T085541Z
LAST-MODIFIED:20260303T085541Z
UID:10018058-1718150400-1780876799@oxfordtouristinformation.com
SUMMARY:Stories around a Feather Cloak
DESCRIPTION:At the Pitt Rivers Museum in Oxford\, England\, you can see a beautiful Ahu’ula\, a feather cloak from Hawaii. It is on display on the ground floor\, in a case that has a curtain covering the glass\, which when drawn back reveals the striking yellow\, red and black design worked in tiny feathers. Draw back the curtain to see the feather cloaks on display and read the interpretation to learn how these Ahu ‘ula (cloaks) were used to reinforce political and diplomatic transactions\, solidify relationships\, and engender obligations. This feather cloak inspired the original commission for the Poakalani Quilting group\, who went on to make fifteen quilts for the museum\, which are on display in the special exhibition\, Hawai’i Ma uka to Ma kai: Quilting the Hawaiian Landscape.
URL:https://oxfordtouristinformation.com/event/stories-around-a-feather-cloak/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-08.53.53.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260508
DTSTAMP:20260404T222700
CREATED:20260303T084750Z
LAST-MODIFIED:20260303T085031Z
UID:10018056-1718150400-1778198399@oxfordtouristinformation.com
SUMMARY:Hawaii: Ma uka to Ma kai Quilting the Hawaiian Landscape
DESCRIPTION:The ahupua‘a\, a land division extending from the mountains to the sea\, has long been the cornerstone of sustainable land management for Kanaka Maoli (Hawaiian) communities. “Ma uka” (toward the mountains) and “Ma kai” (toward the sea) are not merely directional references; they signify a deep understanding of care and access to natural and cultural resources within these regions. \nThrough a combination of contemporary and historic mea noʻeau (skillfully created works) this special exhibition explores the past\, present\, and future of the ahupua‘a system. Hawaiian quilts by the Honolulu-based Poakalani Quilters are curated in narrative that follows the ahupua‘a and the people working with the landscape\, from mountain forests to the coastal waters\, and as well as introducing the Hawaiian royal history of the palatial grounds of their group meeting place. \nJoin us on a journey through time through the ahupua‘a in this special exhibition: witness the disruption of indigenous practices over the past 150 years\, accompanied by a decline in Hawaiian ecosystems\, alongside stories of resilience and restoration. Travelling from Ma uka to Ma kai\, discover efforts of contemporary practitioners who embrace 21st-century sustainable stewardship\, and how looking back towards traditional practices offers a glimpse into a future of abundance and harmony between communities and their environment.
URL:https://oxfordtouristinformation.com/event/hawaii-ma-uka-to-ma-kai-quilting-the-hawaiian-landscape/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-08.45.51.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260508
DTSTAMP:20260404T222700
CREATED:20260303T085236Z
LAST-MODIFIED:20260303T085236Z
UID:10018057-1718150400-1778198399@oxfordtouristinformation.com
SUMMARY:Hulu Nēnē By MANAOLA
DESCRIPTION:Discover the beautifully sculptural Hulu Nēnē dress by fashion icon Manaola Yap\, a designer and cultural practitioner from Hawaiʻi\, within the Pitt Rivers Museum galleries. \nDisplayed in a case in near the centre of the museum court on the ground floor\, this installation is part of the journey through the Hawaiian landscape offered through the museum’s current special exhibition Hawaii: Ma uk to Ma kai. \nThrough the special collection of their designs\, Manaola honors and pays homage to the great warrior chief\, Kamehameha\, Pai`ea. Born on Hawai`i Island in secrecy and taken to safety by a swift runner to the high cliffs of `Awini Kohala\, the infant king was hidden in the caves to escape the order of Alapa`i Nui that the infant be put to death. The Designer gains his inspiration from ancestral chants\, and stories speaking of the youthful years of the royal child.
URL:https://oxfordtouristinformation.com/event/hulu-nene-by-manaola/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-08.49.25.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260608
DTSTAMP:20260404T222700
CREATED:20260303T090904Z
LAST-MODIFIED:20260303T090904Z
UID:10018060-1718150400-1780876799@oxfordtouristinformation.com
SUMMARY:Revisiting Robert Louis Stevenson in the Pacific
DESCRIPTION:In this Archive Case display\, artists Simon Grennan and Solomon Enos re-examine the work of nineteenth century author Robert Louis Stevenson through dynamic graphic storytelling. Stevenson travelled to several Pacific islands before settling in Sāmoa in 1890. Referencing this time in Sāmoa\, as well as Hawai’i and Europe\, related items are brought together from the Museum’s Pacific collections and displayed alongside historical publications of Stevenson’s Pacific stories\, set within new graphic remediations of these stories as comics by British and Hawaiian artists. The illustration-led display explores the journey of ideas across media (remediation) in the nineteenth and twenty-first centuries\, Robert Louis Stevenson’s fascination with ‘the foreign’\, and post-colonialism in the Pacific\, including new poetry focused on Hawaiian\, Samoan and European post-colonialism. \nThe display at the Pitt Rivers Museum celebrates work that is part of a wider research project ‘Remediating Stevenson’\, led by a UK research team (Michelle Keown\, Shari Sabeti and Alice Kelly\, Edinburgh University; and Simon Grennan\, Chester University)\, in partnership with the National University of Sāmoa. The project explores Robert Louise Stevenson’s Pacific fiction\, travels\, and friendship with Indigenous Pacific communities. The Remediating Robert Louis Stevenson project is producing the first ever multilingual graphic adaptation of the three stories from Robert Louis Stevenson’s Island Nights’ Entertainments (1893). The project is also commissioning new poetry by indigenous Pacific authors\, and developing a set of accompanying teaching resources for use in Sāmoa\, Hawai’i and Scotland through participatory arts workshops and film-making.
URL:https://oxfordtouristinformation.com/event/revisiting-robert-louis-stevenson-in-the-pacific/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-09.02.24.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260608
DTSTAMP:20260404T222700
CREATED:20260303T091410Z
LAST-MODIFIED:20260303T091410Z
UID:10018061-1718150400-1780876799@oxfordtouristinformation.com
SUMMARY:Unfinished - a poem by Carol Ann Carl
DESCRIPTION:Unfinished is a poem written by Carol Ann Carl\, a daughter of the island of Pohnpei in the Federated States of Micronesia. With a background in Biochemistry and health\, her community work revolves around Micronesian youth and women. Carol Ann was entrusted to be the keeper of traditional origin stories\, which she shares through her writings. Storytelling and writing are personal forms of pedagogical healing. \nUnfinished was commissioned by Marenka Thompson-Odlum\, as part of the Digital Engagement & Innovation project. It exists both as written ‘concrete’ poetry and as a recorded spoken word piece. Unfinished is written from the perspective of the 31 pearl shell tools that the museum has described as ‘unfinished shell shanks of a fishing hook’ which were taken from the King’s tomb at the archaeological site of Nan Madol on Pohnpei. Nan Madol is a series of more than 100 islets off the south-east coast of Pohnpei that were constructed with walls of basalt and coral boulders. These islets harbour the remains of stone palaces\, temples\, tombs and residential domains built between 1100 and 1500 CE. These ruins represent the ceremonial centre of the Saudeleur dynasty\, a vibrant period in Pacific Island culture. The huge scale of the edifices\, their technical sophistication and the concentration of megalithic structures bear testimony to complex social and religious practices of the island societies of the period. \nThe field collector of the shell shanks\, Frederick William Christian\, was a graduate of Balliol College\, Oxford. In his 1899 book\, The Caroline Islands: Travel in the Sea of the Little Lands\, he recounts the excavation of ‘Eighty pearl-shell shanks of fish-hooks in a more or less perfect condition\, exactly resembling those used all over Polynesia before the coming of the white man. The hook itself was generally of bone\, but we found some fragments of pearl-shell which were clearly relics of the barb.’ \nChristian was also a close friend of Robert Louis Stevenson when he lived in the neighbouring Pacific Island of Samoa. It was Stevenson who encouraged Christian to travel to remote groups of Pacific islands and study their languages. In his books\, he often references Stevenson’s works such as Beach of Falesá.
URL:https://oxfordtouristinformation.com/event/unfinished-a-poem-by-carol-ann-carl/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-09.12.12.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250920
DTEND;VALUE=DATE:20260629
DTSTAMP:20260404T222700
CREATED:20260325T143058Z
LAST-MODIFIED:20260325T143058Z
UID:10018285-1758326400-1782691199@oxfordtouristinformation.com
SUMMARY:PAT SUET-BIK HUI & THE THREE PERFECTIONS
DESCRIPTION:FREE EXHIBITION\n\n\n\n20 Sep 2025 to 28 Jun 2026 \nGallery 11 \nAdmission is FREE \n\nPat Suet-Bik Hui 許雪碧 (b. 1943) is a US-based Hong Kong artist. This exhibition showcases her work alongside others who engage with the tradition of the ‘three perfections’ 三絕\, which brings together the three art forms of poetry\, calligraphy\, and painting. \nThe exhibition includes works by Hui\, her contemporaries\, her teacher Lui Shou-Kwan and others of his generation\, as well as earlier examples from the 17th\, 18th\, and 19th centuries. Seeing Hui alongside these other artists will give visitors the context to understand her as both innovator and standard-bearer of tradition. \nIn this tradition\, calligraphic brushstrokes are as integral to compositional balance as those used in painting. Likewise\, images conjured by a poem and those rendered in a painting combine to create effects neither can achieve alone. \nHui’s modern interpretation fuses abstract and semi-abstract washes of colour and ink with simple\, restrained calligraphy inscribing poems reflecting on a variety of themes\, from love\, to loss\, to the pleasures of drinking. \n  \n\n\n\n\n\n \nPainting with Poem by Xin Qiji\, Pat Suet-Bik Hui & Wucius Wong\, 1987\, ink & colour on paper © Ashmolean Museum \n\n\n\n\n\n \nPainting with poem by Paul Ka-Yin Kwok\, Pat Suet-Bik Hui & Paul Ka-Yin Kwok\, 1999\, ink colour on paper © Ashmolean Museum \n\n\n\n\n\n \nPainting with poem by Nara Singde\, Pat Suet-Bik Hui\, 1991\, ink & colour on paper © Ashmolean Museum \n\n\n\n\n\n\n  \nIn the exhibition gallery there will be translations of many of the poems inscribed on the paintings\, as well as guidance on how to interpret the relationship between painting\, calligraphy and poetry within particular works. \nHui gifted her works to the art-historian Michael Sullivan\, whose painting collection was bequeathed to the Ashmolean in 2013.
URL:https://oxfordtouristinformation.com/event/pat-suet-bik-hui-the-three-perfections/
LOCATION:Ashmolean Museum\, Beaumont Street\, Oxford\, England\, OX1 2PH\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Eventi-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251108
DTEND;VALUE=DATE:20261109
DTSTAMP:20260404T222700
CREATED:20260303T091657Z
LAST-MODIFIED:20260303T091657Z
UID:10018062-1762560000-1794182399@oxfordtouristinformation.com
SUMMARY:With these Hands: Crafting a Shared Humanity
DESCRIPTION:With these Hands is a co-produced gallery trail created by a multicultural team of volunteers who share an interest in the hand-crafted.\n  \nThrough the objects chosen and the stories told\, you are invited to learn more about the way we craft and make in different cultures. Objects and storytelling enabling us to engage in shared experiences\, emotions and ideas. \n  \n\nObjects tell human stories\nThey speak of hardship and dignity\, of celebration\, and resistance \n  \nThe trail has nine stops around the Museum galleries\, with five of the nine stops on the ground floor\, three on the first floor and one on the second floor. We encourage visitors to use the trail map\, starting on the first floor\, moving up to the second floor and then finishing on the ground floor. \nThis trail was created as part of Multaka-Oxford. Our co-curators went on a journey together working closely with the museum collections and teams of experts. They have all thought deeply about the stories their chosen objects inspired.
URL:https://oxfordtouristinformation.com/event/with-these-hands-crafting-a-shared-humanity/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251206
DTEND;VALUE=DATE:20261130
DTSTAMP:20260404T222700
CREATED:20260325T143735Z
LAST-MODIFIED:20260325T143735Z
UID:10018286-1764979200-1795996799@oxfordtouristinformation.com
SUMMARY:ROMAN OXFORDSHIRE COINS DISPLAY
DESCRIPTION:6 Dec 2025 – 29 Nov 2026  \nGallery 7 \nAdmission is FREE \n\nCoinage remains one of the best represented and most recognisable elements of Roman material culture. \nThis display will showcase a selection of Roman coins in the Ashmolean collection that were found in Oxfordshire and tell the story of the region from the Roman conquest in 43 CE to the end of Roman Britain\, around 410 CE. \nSome of the coins reflect everyday life through trade\, soldiers’ pay\, or the collection of taxes. Others tell us about Britain’s position in the empire or served as offerings people made to the gods. \nDiscover a group of Iron Age gold staters buried in a flint nodule around the time of the Roman invasion\, known as the Henley Hoard\, and various Roman coins from Claudius I to the end of Roman Britain. These historic finds were discovered in local towns and villages\, such as Cowley\, Dorchester\, Asthall\, Horton\, Shiplake and Childrey\, and add to the evidence for coin use and circulation in Roman Oxfordshire. \n \nMap (detail) accompanying the Roman Oxfordshire coins display in the Money Gallery \n\n  \nRoman coins were an important means of communication. They were carried across the empire in purses\, spreading images and messages central to Roman society: religion\, politics\, the Imperial family\, or the empire’s prosperity. As with modern money\, most Roman coins also had more straightforward messages\, showing exactly who held power. \nThese coins are not always beautiful objects\, but each is a small\, powerful voice connecting us to the people of Roman Oxfordshire and their place in the wider Roman world. \nHeader image: Obverse and reverse detail of silver coin of Carausius © Ashmolean Museum \n\nFound anything locally? \nSince 1997\, the Portable Antiquities Scheme (PAS) has recorded more than 360\,000 Roman coins from England and Wales\, including nearly 15\,000 from Oxfordshire. \nIf you think you may have found a Roman coin\, it’s important to have it properly recorded. Contact your local Finds Liaison Officer at the PAS \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSELECTED OBJECTS ON DISPLAY\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSilver coin of Carausius\n\n\n\n\nSilver coin of Roman Emperor Carausius\, found at Shiplake\, with a wolf and the twins Romulus and Remus on the reverse\, 286–293 CE © Ashmolean Museum \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nCopper coin of Nero\n\n\n\n\nCopper coin depicting Nero\, found at Dorchester on Thames\, 65 CE © Ashmolean Museum \n\n\n\n\n\n\n\n\n\n\nHenley Hoard \n \n\n\n\n\nHenley Hoard \n\nHenley Hoard\n\n\n\n\nComplete local Iron Age coin hoard of 32 gold staters buried in a flintstone nodule\, found in Henley-on-Thames\, 55–45 BCE © Ashmolean Museum \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSilver coin of Arcadius\n\n\n\n\nSilver coin of Roman Emperor Arcadius\, found at Horton\, 392–394 CE © Ashmolean Museum \n\n\n\n\n\n\n\n\n\n\nNext slide\nPrevious slide
URL:https://oxfordtouristinformation.com/event/roman-oxfordshire-coins-display/
LOCATION:Ashmolean Museum\, Beaumont Street\, Oxford\, England\, OX1 2PH\, United Kingdom
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-25-at-14.34.36.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260125
DTEND;VALUE=DATE:20260629
DTSTAMP:20260404T222700
CREATED:20260125T111852Z
LAST-MODIFIED:20260125T112111Z
UID:10011756-1769299200-1782691199@oxfordtouristinformation.com
SUMMARY:Pat Suet-Bik Hui and the Three Perfections
DESCRIPTION:Pat Suet-Bik Hui 許雪碧 (b. 1943) is a US-based Hong Kong artist. This exhibition showcases her work alongside others who engage with the tradition of the ‘three perfections’ 三絕\, which brings together the three art forms of poetry\, calligraphy\, and painting. \nThe exhibition includes works by Hui\, her contemporaries\, her teacher Lui Shou-Kwan and others of his generation\, as well as earlier examples from the 17th\, 18th\, and 19th centuries. Seeing Hui alongside these other artists will give visitors the context to understand her as both innovator and standard-bearer of tradition. \nIn this tradition\, calligraphic brushstrokes are as integral to compositional balance as those used in painting. Likewise\, images conjured by a poem and those rendered in a painting combine to create effects neither can achieve alone. \nHui’s modern interpretation fuses abstract and semi-abstract washes of colour and ink with simple\, restrained calligraphy inscribing poems reflecting on a variety of themes\, from love\, to loss\, to the pleasures of drinking.
URL:https://oxfordtouristinformation.com/event/pat-suet-bik-hui-the-three-perfections-poetry-calligraphy-painting/
LOCATION:Ashmolean Museum\, Beaumont Street\, Oxford\, England\, OX1 2PH\, United Kingdom
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/01/Screenshot-2026-01-25-at-11.18.18.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260202T163000
DTEND;TZID=Europe/London:20260618T180000
DTSTAMP:20260404T222700
CREATED:20260202T092511Z
LAST-MODIFIED:20260202T092511Z
UID:10014185-1770049800-1781805600@oxfordtouristinformation.com
SUMMARY:The Oxford Seminars in Cartography (TOSCA)
DESCRIPTION:About the events\nThe Oxford Seminars in Cartography have been taking place since 1993\, with interested cartographers meeting regularly for a programme of lectures and field trips exploring all facets of mapping and cartography. All are welcome. \nEvents take place online via Zoom\, and times listed are UK time. \nProgramme for 2025-26\nMap Readings – ‘Lies of the Land: Painted maps in Late Medieval and Early Modern France’\n Thursday 12 February 2026\n 16.30–18.00 (GMT) \nCamille Serchuk (Southern Connecticut State University) in conversation with Elizabeth Baigent (School of Geography and the Environment\, University of Oxford) \nThe unique large-format print of the General Map of the Qing Empire by Li Mingche (李明徹\, 1751–1832) in Göttingen: tracing its cartographical origins and journey to a German university\n Thursday 12 March 2026\n 16.30–18.00 (GMT) \nVera Dorofeeva-Lichtmann (L’École des hautes études en sciences sociales\, Paris) \nGeography and Catholic censorship in Europe at the end of the sixteenth century\n Thursday 4 June 2026\n 16.30–18.00 (GMT+1) \nJean-Marc Besse (L’École des hautes études en sciences sociales\, Paris) \nOrdnance Survey: Twenty-First Century National Mapping Agency\n Thursday 18 June 2026\n 16.30–18.00 (GMT+1) \nNick Bolton (CEO\, Ordnance Survey) \nEvent information\n\nAll events take place online via Zoom. Times listed are UK time.\nYou will receive instructions for joining the webinars in your booking confirmation email\, under ‘Order details’. Please check your junk/spam email folder. If you have not received a link to join the event\, please email: tosca@bodleian.ox.ac.uk\n\nAcknowledgements\nThe Oxford Seminars in Cartography are supported by: \n\nFriends of TOSCA\nBodleian Libraries\nSchool of Geography and the Environment\, University of Oxford\nCharles Close Society\nLovell Johns Ltd
URL:https://oxfordtouristinformation.com/event/the-oxford-seminars-in-cartography-tosca/
LOCATION:Weston Library\, Broad Street\, Oxford\, England\, OX1 3BG\, United Kingdom
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-02-at-09.24.43.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260223
DTEND;VALUE=DATE:20270101
DTSTAMP:20260404T222700
CREATED:20260223T122310Z
LAST-MODIFIED:20260223T124149Z
UID:10017606-1771804800-1798761599@oxfordtouristinformation.com
SUMMARY:Song of Myself (Display)
DESCRIPTION:Song of Myself\, 1995\, Tom Phillips RA (1937–2022)\, wire\, 360 x 180 cm.\nCredit: Estate of Tom Phillips CBE RA \nTom Phillips described Song of Myself as “an attempt to list the various identities that go to make a single artistic life”. The work borrows its title from a poem in Leaves of Grass by Walt Whitman. Its beginning is based on the confessional Anglo-Saxon poem\, The Seafarer\, which Phillips first came across as an undergraduate at St Catherine’s College\, Oxford. \nWithin the work\, the alert reader will find further references\, direct or cryptic\, to Homer\, Plato\, Dante\, Cervantes\, Shakespeare\, Marvell\, Conrad\, R. L. Stevenson; to the music of Wagner and Robert Schumann; and to the films of Alfred Hitchcock and Orson Welles. The text is littered with echoes of Phillips’s own artistic preoccupations: as a painter\, calligrapher\, user of stencils and maker of books. \nPhillips first made a pencil drawing of the text\, then worked with the fabricator Leo Verryt to realise the work in wire\, as a hanging poem. Other versions of the text exist\, one in a series of paintings called Curriculum Vitae (No XX\, 1992)\, and another in Self Portrait in Silver (2004). Phillips writes: “The unity of the piece in which letters are tortured into cooperation hopes to reflect an overall homogeneity in the spirit of its maker”. \nThe Bodleian Libraries also has the Tom Phillips archive in our collection.
URL:https://oxfordtouristinformation.com/event/song-of-myself-display/
LOCATION:Weston Library\, Broad Street\, Oxford\, England\, OX1 3BG\, United Kingdom
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-12.20.36.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260316
DTEND;VALUE=DATE:20260817
DTSTAMP:20260404T222700
CREATED:20260325T145904Z
LAST-MODIFIED:20260325T145904Z
UID:10018287-1773619200-1786924799@oxfordtouristinformation.com
SUMMARY:IN BLOOM
DESCRIPTION:★ ★ ★ ★\n“This rip-roaring history of botanical adventurers disturbs and delights”\nThe Guardian \n\n\n\n\n\n\n“Consistently illuminating”\nThe Observer \n\n\n\n\n“There’s much to savour”\nThe Telegraph \n\n\n\n\n\n  \n\n\n\n\n\n\n\n\n\n\n\nIn Bloom exhibition – open until 16 Aug 2026\n\n\n\n\nWhat do we really know about the plants and flowers in our gardens and window boxes? \nBeyond their beauty\, many have hidden histories – tales of exploration\, obsession\, and knowledge. \nThis major new exhibition takes visitors on a journey from Oxford to the farthest corners of the world and back\, uncovering the global stories behind some of Britain’s most beloved blooms – from roses and tulips to camellias and peonies. \nFeaturing over 100 artworks and objects\, including drawings\, paintings\, rare prints\, and ceramics\, In Bloom explores our changing relationship with the natural world. \nFrom the fascinating stories of curiosity and ingenuity of early plant explorers to the networks that shaped global trade\, this exhibition reveals how the pursuit of exotic plants transformed landscapes\, economies\, and cultures\, leaving a legacy that still shapes our world today. \n\nIn Bloom is the first Ashmolean exhibition to consider sustainability from conception to delivery. Find out more \n\n\n\n\n\n\n\n\n\n\nSELECTED ARTWORKS IN THE EXHIBITION\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nExhibition catalogue \nExplore the story of how plants and flowers shaped our world in the lavishly illustrated exhibition catalogue. \n\n\n\n\n\n\nExhibition audio guide \nEnjoy the show’s highlights with the audio guide narrated by BBC Gardeners’ World presenter Arit Anderson. Choose your ticket and add to your booking. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEXHIBITION TICKETS\n\n\n\n\nTimed tickets are in operation. Visitors are recommended to book tickets in advance to guarantee entry. \nA booking fee of £2 applies on telephone bookings and booking amendments\, to help support the Museum and cover Box Office costs.
URL:https://oxfordtouristinformation.com/event/in-bloom-2/
LOCATION:Ashmolean Museum\, Beaumont Street\, Oxford\, England\, OX1 2PH\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Eventi-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260328
DTEND;VALUE=DATE:20261102
DTSTAMP:20260404T222700
CREATED:20260325T150536Z
LAST-MODIFIED:20260325T150536Z
UID:10018288-1774656000-1793577599@oxfordtouristinformation.com
SUMMARY:SOMA SUROVI JANNAT
DESCRIPTION:CLIMATE CULTURE CARE\n\n\n\n\nFREE EXHIBITION –  opens 28 Mar 2026\nGallery 8 \n\nThis is the fifth in the Ashmolean NOW exhibition series\, where contemporary artists are invited to create new work inspired by the Ashmolean’s historical collections. \n\nThis exhibition showcases the work of Bangladeshi artist Soma Surovi Jannat\, who draws inspiration from the Sundarbans\, the largest mangrove forest in the world\, and the Ashmolean collections to address the climate crisis. \nHer art reflects on environmental issues and the interconnectedness of nature and humanity\, especially in Bangladesh\, where the Sundarbans\, faces threats from climate change. In her paintings and drawings\, capturing urgent global and environmental issues\, Surovi critiques the link between natural disasters and social inequalities. \n \nDetail from Between the Sea and the Sky\, Who Holds the Ground? 30ft-scroll by Soma Surovi Jannat and the exhibition poster image \n\n  \nAs the first Bangladeshi artist-in-residence at the Ashmolean\, this exhibition marks Surovi’s debut solo show in the UK and also the first solo exhibition of a Bangladesh-based artist in a museum in the UK. \nThis exhibition will focus on Surovi’s new works and include Ashmolean objects that inspired some of her imagined landscapes. \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBetween the Sea and the Sky\, Who Holds the Ground? (sections)\, 30-ft scroll\, Soma Surovi Jannat\, 2024-25\, archival ink pen on paper\, acrylic colour\, gold & silver leaf \n\nAbout 40 objects will be on display\, including various works on paper\, a 30-foot-long scroll\, and an ephemeral drawing which she will be completing on the gallery’s wall. \n \nWhere every leaf holds a tale (2 of 8 paintings)\, Soma Surovi Jannat\, 2023\, archival ink pen on paper\, acrylic colour\, gold & silver leaf \n\n  \nHeader image details are taken from: ‘Where every leaf holds a tale’\, and ‘Between the Sea and the Sky\, Who Holds the Ground?’ artworks. All header image details and works by the artist are © Soma Surovi Jannat
URL:https://oxfordtouristinformation.com/event/soma-surovi-jannat/
LOCATION:Ashmolean Museum\, Beaumont Street\, Oxford\, England\, OX1 2PH\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Eventi-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260411
DTEND;VALUE=DATE:20270315
DTSTAMP:20260404T222700
CREATED:20260325T151205Z
LAST-MODIFIED:20260325T151205Z
UID:10018289-1775865600-1805068799@oxfordtouristinformation.com
SUMMARY:COLONIAL VIEWS OF INDIA
DESCRIPTION:FREE EXHIBITION\n\n\n\n\nOpens 11 Apr 2026 \nGallery 29 \nAdmission is FREE \n\nThis is the first exhibtion to focus on photographs and negatives in the Ashmolean\, and as such features previously unseen photographs of India by Colonel Eugene Clutterbuck Impey (1830–1904). \nA member of the East India Company\, Impey arrived in India in 1851 and took part in military actions during the Indian Uprising of 1857. After the British Crown took control in 1858 following the Uprising\, he worked as a political agent until returning to Britain in 1878. \n  \n \nStereoscopic image of a tiger with tripod shadow\, Colonel Eugene Impey\, 1858-1865\, albumen photographic print on paper © Ashmolean Museum \n\n  \nImpey’s photographs reflect British imperial interests\, showcasing portraits of colonial officers and Indians\, as well as staged scenes of daily life\, clothing\, religious sites\, animals\, and landscapes. \nThese images often reinforced stereotypes with the aim to justify colonial efforts. Photography\, which gained popularity after its debut in 1839\, was used to highlight cultural differences. From the mid-1800s British officials documented various social groups in India\, often categorising people by ethnicity. \nThe Impey collection includes 247 glass negatives preserved at the Ashmolean. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSELECTED PHOTOGRAPHS ON DISPLAY\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSeated girl\n\n\n\n\n 1858-1865 \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nQutub tower\n\n\n\n\n 1858-1865 \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nMaharaja Takhat Singh of Jodphur\n\n\n\n\n1858-1865 \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nFour Rajputs with jezails and swords\n\n\n\n\n 1858-1865 \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSnake charmer\n\n\n\n\n 1858-1865 \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSmall temple and rope bridge in hilly landscape\n\n\n\n\n 1858-1865 \n\n\n\n\n\n\n\n\n\n\nNext slide\nPrevious slide
URL:https://oxfordtouristinformation.com/event/colonial-views-of-india/
LOCATION:Ashmolean Museum\, Beaumont Street\, Oxford\, England\, OX1 2PH\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Eventi-5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260422T193000
DTEND;TZID=Europe/London:20260524T213000
DTSTAMP:20260404T222700
CREATED:20260221T144633Z
LAST-MODIFIED:20260221T144633Z
UID:10017036-1776886200-1779658200@oxfordtouristinformation.com
SUMMARY:An Adequate Abridgement of Boarding School Life as a Homo
DESCRIPTION:Written by Ned Blackburn \nMeet Johnny\, 18\, at an all-boys boarding school\, struggling to fit in and in an intense relationship with rugby golden boy\, Harry. It is life through the lens of a young queer man navigating Grindr\, hyper-masculinity and institutional shame.
URL:https://oxfordtouristinformation.com/event/an-adequate-abridgement-of-boarding-school-life-as-a-homo/
LOCATION:Oxford Playhouse\, 11-12 Beaumont St\, Oxford\, OX1 2LW
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-21-at-14.46.06.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260427
DTEND;VALUE=DATE:20260615
DTSTAMP:20260404T222700
CREATED:20260313T152050Z
LAST-MODIFIED:20260313T152050Z
UID:10018188-1777248000-1781481599@oxfordtouristinformation.com
SUMMARY:Foraging Connections
DESCRIPTION:Venue\, Timing and Cost\n\nVenue:\n\nModern Art Oxford\n\n\n\nDate(s):\n\nFriday\, 27 March 2026 to Sunday\, 14 June 2026\n\n\n\nTiming:\n\nCheck website for opening hours\n\n\n\nCost:\n\nFree\n\n\n\n\n\n\n\n\n\n\n\nA collaborative exhibition exploring the connections between art\, science\, and nature.\nDeveloped around themes of refuge and repair\, the project shares work created collaboratively by children from local charity Children Heard and Seen and artists Lilli Tranborg and Arbie Edward. \n\n\n\n\nFurther Information\n\nContact Details:\n\n\nhttps://modernartoxford.org.uk/whats-on/…
URL:https://oxfordtouristinformation.com/event/foraging-connections/
LOCATION:Modern Art Oxford\, 30 Pembroke St\, Oxford\, OX1 1BP\, United Kingdom
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Event-5.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260506
DTEND;VALUE=DATE:20260524
DTSTAMP:20260404T222700
CREATED:20260130T143814Z
LAST-MODIFIED:20260130T143814Z
UID:10013671-1778025600-1779580799@oxfordtouristinformation.com
SUMMARY:Manja Scott & Jeff Clarke: Creative Contrasts
DESCRIPTION:This exhibition celebrates a long friendship between two artists who have contrasting styles but warmly appreciate each other’s visual language. \nManja Scott was born in Zagreb\, Croatia\, but lived more than a third of her adult life in Africa – Ethiopia\, Zambia\, Kenya. She came to live in the UK in 1982. With the exception of various courses in Combined Arts\, Printed Textiles\, Print Making\, she is self-taught. Her most important influences are twentieth century art\, tribal world cultures\, and the amazing ever-changing beauty of nature. \nJeff Clarke trained through the 1950s at the Brighton College of Art and in Italy with a Prix de Rome scholarship in engraving. Later he etched and painted regularly in Crete alongside the role of draughtsman to the British School of Archaeology until 1996. The regular periods of vibrant sunlight had a profound effect on his work in colour\, tone and line. \nFor this exhibition both artists show a considered selection of retrospective and recent work. Manja with essentially coloured abstracts; Jeff with observed drawings in black and white\, most of still life and close environment. \n\nExhibition Opening\nWednesday 6 May 6-8pm\nPlease join us for drinks to celebrate the opening of this exhibition\nFree event / no booking required \nSpecial Sunday  Opening\nSunday 24 May 12-4pm \n \n\n\n\n\nManja Scott & Jeff Clarke: Creative Contrasts\nTicketsFree entry \nExtra information  \nOpening hours: Mon – Sat 10am – 4pm\nClosed: Sun and Bank Holidays except Sunday 24 May
URL:https://oxfordtouristinformation.com/event/manja-scott-jeff-clarke-creative-contrasts/2026-05-06/
LOCATION:North Wall Arts Centre\, S Parade\, Summertown\, Oxford\, OX2 7JN
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/01/Event-19-B.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260507
DTEND;VALUE=DATE:20260508
DTSTAMP:20260404T222700
CREATED:20260223T113531Z
LAST-MODIFIED:20260223T113531Z
UID:10017097-1778112000-1778198399@oxfordtouristinformation.com
SUMMARY:Pets & their People
DESCRIPTION:  11 March – 27 September 2026 \n ST Lee Gallery\, Weston Library \n Free admission\, no ticket required \nAbout the exhibition\nWe have been domesticating animals for over ten thousand years. But why do we want tame wolves in our homes or wild cats on our laps? \nThis exhibition explores the relationship between humans and their pets – or pets and their humans. \nPets & their People draws on depictions of pets in stories\, imagery and poetry in the Bodleian’s collection – from one of the earliest recorded depictions of an assistance dog for the blind to a rare copy of Alice’s Adventures in Wonderland that has never been displayed in the UK before. The exhibition asks how the special bond between owners and their pets has evolved over time\, and what that evolution tells us about who we really are. \nAre we taming our pets\, or are they bring us back to our wild roots? \nCurators\nCharles Foster\, Fellow of Exeter College and bestselling author of Being a Beast \nAcknowledgements\nPets & their People is made possible with generous support from the John S Cohen Foundation.
URL:https://oxfordtouristinformation.com/event/pets-their-people/2026-05-07/
LOCATION:Weston Library\, Broad Street\, Oxford\, England\, OX1 3BG\, United Kingdom
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-11.31.04.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T080000
DTEND;TZID=Europe/London:20260507T170000
DTSTAMP:20260404T222700
CREATED:20260218T150110Z
LAST-MODIFIED:20260218T150110Z
UID:10015933-1778140800-1778173200@oxfordtouristinformation.com
SUMMARY:Successful Year Team Leadership - Secondary
DESCRIPTION:For pricing see below* | 3-part programme on Thurs 7 May ’26\, Weds 20 May ’26 and Weds 3 June ’26 at Rose Hill Primary School\, Oxford. \n\n\n\n\n*This programme is funded for colleagues working in River Learning Trust schools. For other attendees the cost of the programme is £150 for the full programme. See programme dates below. \nThis programme is designed for secondary school colleagues with a Year Team leadership role\, which involves leading the work of other colleagues in pastoral care and supporting pupil achievement. It is suitable for both colleagues new to the role\, as well as more experienced colleagues looking to deepen their expertise. \nThese sessions will focus primarily on the practical challenges and opportunities of Year Leadership\, making reference to elements of two key documents: \n\nCore Principles for Behaviour and Attitudes Leadership\nCore Principles of Personal Development Leadership\n\nThis will be enhanced by relevant research. Sessions will support participants in developing their expertise in practical terms while also deepening their understanding of some of the theoretical frameworks that successful leaders operate within. \n\n\n\n\nSESSION OVERVIEW (Sessions are in-person\, at Rose Hill Primary School\, Oxford\, from 9am to 12 midday) \nSession 1 | Thurs 7 May 2026 \n• Purpose and value of Year Leadership \n• Developing a year group identity and culture: creating a sense of belonging\, running \nassemblies\, vision and messaging\, making the most of whole school ethos and values. \nSession 2 | Weds 20 May 2026 \n• Ensuring excellent tutor time and leading tutor teams \n• Working effectively with behaviour and attendance \nSession 3 | Weds 3 June 2026 \n• Working with vulnerable pupils/families \n• Influencing pupil achievement and outcomes \nThis programme is aimed at secondary school colleagues with a Year Team / pastoral leadership role. It is suitable for colleagues both new to role\, as well as more experienced colleagues looking to deepen their expertise. \nThese sessions will be run by an experienced leader from the River Learning Trust who has expertise in these areas. \n\n\n\n\n*This programme is funded for colleagues working in River Learning Trust schools. For other attendees the cost of the full programme is £150. \nNote: This programme is designed as a three-session series\, and participants are encouraged to attend all sessions to gain the full benefit of the learning experience. \nMany larger schools and trusts run their own CPD programmes. This programme is being run by River Learning Trust with places offered to colleagues in other schools in partnership with OTSA. Do you have any spare places on school or trust led events/programmes that you would open up to colleagues in other schools? If so\, please get in touch (info@otsa.org.uk). \nPayment \nPayment is required at the time of booking by credit card\, debit card or Paypal. Unless otherwise stated\, a ticket gives admission to one person at face-to-face and online events. In the event that you share an online event link with other people who then attends the event\, including sharing your screen\, or you arrive at a venue without a ticket and we are able to admit you\, we will invoice you or your organisation for additional tickets retrospectively. \nRefunds \nNo refunds will be given with less than 30 days notice. \nIn the event of a refund request\, please note that the Eventbrite booking fee of 6.95% plus 0.59p per ticket is not refundable. \nTo keep our event fees as low as possible\, we are not able to issue invoices for payment by cheque or bank transfer and we are not able to reserve places without payment. \nWe strongly recommend that you take out ‘event ticket insurance’ which may cover the cost of your fee should you be unable to attend the event.
URL:https://oxfordtouristinformation.com/event/successful-year-team-leadership-secondary/
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-18-at-15.00.28.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T090000
DTEND;TZID=Europe/London:20260507T170000
DTSTAMP:20260404T222700
CREATED:20260130T155321Z
LAST-MODIFIED:20260130T155321Z
UID:10013786-1778144400-1778173200@oxfordtouristinformation.com
SUMMARY:Brokenness and repair exhibition
DESCRIPTION:Venue:\n\nThe Glass Tank\, Oxford Brookes University\n\n\n\nDate(s):\n\nMonday\, 26 January 2026 to Friday\, 6 February 2026\n\n\n\nTiming:\n\n9am – 5pm\n\n\n\nCost:\n\n0\n\n\n\n\n\n\n\n\n\n\n\nInspired by the sublime beauty of techniques of visual repair across cultures\, these works invite reflection on brokenness and why it matters. \nIn recent years\, the traditional Japanese technique of repairing broken pottery using lacquer\, often embellished with gold or other precious metals\, known as ‘kintsugi’ has fascinated and inspired not only contemporary artists\, but also pscyhologists\, philosophers\, scientists and archaeologists. But the idea of caring for something that is broken and finding beauty in its imperfection resonates much more widely. Whether we are living with the painful yet precious memories of loss\, or trying to reassemble places of belonging from the remnants of abandoned buildings\, brokenness and repair speak to our fundamental ways of being in the world. \nThrough sculpture\, sound\, images\, and pottery\, this exhibition creates a space of dialogue between Japanese aesthetics of brokenness and repair and those of other cultures. Each piece invites visitors to reflect on the complex\, sometimes challenging beauty of brokenness\, and the care and attention involved in repair. \nThe exhibition includes original works from Rob Simpkins\, Katie Taylor\, Johanna Tulloch\, Dan O’Brien\, Natasha Durie\, Juliet Eccles\, and Rachel Barbaresi\, as well as kintsugi pieces by Iku Nishikawa (Oxford Kintsugi). \nAll are invited to join us to meet the artists and organisers over wine and refreshments. \nThis exhibition and reception was made possible through the generous support of the Great Britain Sasakawa Foundation. \n\n\n\n\nFurther Information\n\nContact Details:\n\n\nhttps://www.brookes.ac.uk/about-brookes/…\nhttps://www.eventbrite.co.uk/e/brokennes… \ndobrien@brookes.ac.uk
URL:https://oxfordtouristinformation.com/event/brokenness-and-repair-exhibition/2026-05-07/
LOCATION:Oxford Brookes University\, Oxford Brookes University\, Headington\, Oxfordshire\, OX3 0BP
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/01/Event-31-B.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T100000
DTEND;TZID=Europe/London:20260507T110000
DTSTAMP:20260404T222700
CREATED:20260304T144206Z
LAST-MODIFIED:20260304T144206Z
UID:10018078-1778148000-1778151600@oxfordtouristinformation.com
SUMMARY:WILLIAM KENT AND THE GRAND TOUR
DESCRIPTION:Thu 7 May 2026\, 10:15am-11:15am OR 11:30am-12:30pm\n\n\n\n\nAt the Museum\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAn Exclusive Event for Members of the Ashmolean \nTickets are £25 each\, or £55 each when combined with the afternoon Coach trip to Rousham House & Gardens \nChoose between two morning visits to the Western Art Print Room \nBooking is essential. Book below \n\nWith Anna Steven\, Gallery Guide and lecturer at the Ashmolean Museum \nJoin Anna for this special opportunity to view original prints and drawings by the English architect\, painter and designer William Kent (1684-1748) and his contemporaries. \nKent’s time in Italy was crucial for his development as an artist\, and the landscape gardens he designed at Rousham are filled with multi-layered references to the Grand Tour. He believed that landscape should be viewed as a painting\, by leaping the fence and seeing all nature as a garden. \nDuring this visit to the Western Art Print Room we will reveal the layers\, through rarely seen images\, that reflect the design process of William Kent\, who is known as a pioneer of the New English style of landscape\, or the informal English garden. \n\n\n\n\n\n \nPortrait of William Kent\, John William Cook after William Aikman\, 1827\, stipple on wove paper\, WAHP44493.1 \n\n\n\n\n\n \nA ruin caprice with Roman antiquities\, Marco Ricci\, 1710-1725\, bodycolour on laid paper\, WA1951.131 \n\n\n\n\n\n \nElevation of a country house\, probably Devonshire House\, William Kent\, 1726\, pen and ink with grey wash over indications in graphite\, WA1943.128 \n\n\n\n\n\n\n\nBOOKING\nTickets are £25 each\, or £55 each when combined with the afternoon Coach trip to Rousham House & Gardens \nTickets are only available to Members of the Ashmolean \nBags and coats can be stored within the Western Art Print Room during this visit
URL:https://oxfordtouristinformation.com/event/william-kent-and-the-grand-tour/2026-05-07/1/
LOCATION:Ashmolean Museum\, Beaumont Street\, Oxford\, England\, OX1 2PH\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Imagen-10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T100000
DTEND;TZID=Europe/London:20260507T160000
DTSTAMP:20260404T222700
CREATED:20260220T132433Z
LAST-MODIFIED:20260220T133234Z
UID:10016065-1778148000-1778169600@oxfordtouristinformation.com
SUMMARY:Recycled Extravaganza
DESCRIPTION:Venue\, Timing and Cost\n\nVenue:\n\nThame Museum\n\n\n\nDate(s):\n\nSaturday\, 7 February 2026 to Friday\, 20 March 2026\n\n\n\nTiming:\n\nDuring opening hours Wed. Fri. Sat. 10am-4pm; Sun. 1pm-4pm-\n\n\n\nCost:\n\nFree admission\n\n\n\n\n\n\n\nThis exhibition has been created by the talented art students of Lord Williams School Thame. Exhibition Gallery Thame Museum \n\n\n\n\nFurther Information\n\nContact Details:\n\n\nYvonne Maxwell\, publicity@thamemuseum.org. \nThame Museum\, 79 High Street Thame\, OX93AE\nwww.thamemuseum.oirg
URL:https://oxfordtouristinformation.com/event/recycled-extravaganza/2026-05-07/
LOCATION:Thame Museum\, 79 High Street Thame\, Oxfordshire\, OX93AE\, United Kingdom
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Event-9-E.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T103000
DTEND;TZID=Europe/London:20260507T113000
DTSTAMP:20260404T222700
CREATED:20260221T140740Z
LAST-MODIFIED:20260221T140740Z
UID:10017033-1778149800-1778153400@oxfordtouristinformation.com
SUMMARY:Social Thursday
DESCRIPTION:FREE (Book ahead\, or just turn up) \n\n\n\n\n\nAge\n50+\nAdditional Information\nTime: 10.30am – 12noon \nLocation: Main Foyer\, Oxford Playhouse\n\n\n\n\nBe a part of our Social Thursday events…\nA welcoming\, supportive space for people later-in-life to come together\, have a go at creative activities and build new friendships\, our Social Thursdays sessions provide opportunities to allow everyone the space to try something new. \nA curated programme of various art forms\, including talks\, dance\, singing\, play-reading and much more\, our sessions are designed for you to take part at your own pace. Refreshments are available during the session. \nYou can book your space ahead of time\, or feel free to turn up on the day. If you would like more information before coming to one of our sessions\, please email community@oxfordplayhouse.com. \n\n\n\n0 Stars \n Each session has something for everyone. I felt even more revitalised than usual!\nPrevious participant
URL:https://oxfordtouristinformation.com/event/social-thursday-4/
LOCATION:Oxford Playhouse\, 11-12 Beaumont St\, Oxford\, OX1 2LW
ATTACH;FMTTYPE=image/webp:https://oxfordtouristinformation.com/wp-content/uploads/2026/01/Image-13-b.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T110000
DTEND;TZID=Europe/London:20260507T180000
DTSTAMP:20260404T222700
CREATED:20260304T152939Z
LAST-MODIFIED:20260304T152939Z
UID:10018105-1778151600-1778176800@oxfordtouristinformation.com
SUMMARY:Oxfordshire Artweeks 2026
DESCRIPTION:fordshire West Ox Arts Gallery\, for Artweeks 2026\, showcases a variety of work across the visual arts with the extended exhibition running from Saturday 25 April to Sunday 30 May 2026. \nOur 13 exhibiting artists for this years’ Oxfordshire Artweeks include;\nGil Salway\, Kirstie Grainger\, David Stone\, Judith Harden\,\n​ Daphne O’ Connell\, Sally Middleton\, Janet Lewendon\,\nKeith Appleby\, Jan Fennelly\, Liming Chen\,\nLaura Hounam\, Andy’s Metal & Melanie Phillips \n\nWith first time exhibitors and seasoned pros we look forward to welcoming our artists and visitors alike as we celebrate and showcase art in Oxfordshire.\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\nLiming Chen\n\n\n\n\n\n\n\n \n\nLaura Hounam
URL:https://oxfordtouristinformation.com/event/oxfordshire-artweeks-2026/2026-05-07/
LOCATION:West Ox Arts Gallery\, Town Hall\, Market Square\, Bampton\, Oxfordshire\, OX18 2JH\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Imagen-19.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T113000
DTEND;TZID=Europe/London:20260507T123000
DTSTAMP:20260404T222700
CREATED:20260304T144206Z
LAST-MODIFIED:20260304T144206Z
UID:10018079-1778153400-1778157000@oxfordtouristinformation.com
SUMMARY:WILLIAM KENT AND THE GRAND TOUR
DESCRIPTION:Thu 7 May 2026\, 10:15am-11:15am OR 11:30am-12:30pm\n\n\n\n\nAt the Museum\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAn Exclusive Event for Members of the Ashmolean \nTickets are £25 each\, or £55 each when combined with the afternoon Coach trip to Rousham House & Gardens \nChoose between two morning visits to the Western Art Print Room \nBooking is essential. Book below \n\nWith Anna Steven\, Gallery Guide and lecturer at the Ashmolean Museum \nJoin Anna for this special opportunity to view original prints and drawings by the English architect\, painter and designer William Kent (1684-1748) and his contemporaries. \nKent’s time in Italy was crucial for his development as an artist\, and the landscape gardens he designed at Rousham are filled with multi-layered references to the Grand Tour. He believed that landscape should be viewed as a painting\, by leaping the fence and seeing all nature as a garden. \nDuring this visit to the Western Art Print Room we will reveal the layers\, through rarely seen images\, that reflect the design process of William Kent\, who is known as a pioneer of the New English style of landscape\, or the informal English garden. \n\n\n\n\n\n \nPortrait of William Kent\, John William Cook after William Aikman\, 1827\, stipple on wove paper\, WAHP44493.1 \n\n\n\n\n\n \nA ruin caprice with Roman antiquities\, Marco Ricci\, 1710-1725\, bodycolour on laid paper\, WA1951.131 \n\n\n\n\n\n \nElevation of a country house\, probably Devonshire House\, William Kent\, 1726\, pen and ink with grey wash over indications in graphite\, WA1943.128 \n\n\n\n\n\n\n\nBOOKING\nTickets are £25 each\, or £55 each when combined with the afternoon Coach trip to Rousham House & Gardens \nTickets are only available to Members of the Ashmolean \nBags and coats can be stored within the Western Art Print Room during this visit
URL:https://oxfordtouristinformation.com/event/william-kent-and-the-grand-tour/2026-05-07/2/
LOCATION:Ashmolean Museum\, Beaumont Street\, Oxford\, England\, OX1 2PH\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Imagen-10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T113000
DTEND;TZID=Europe/London:20260507T163000
DTSTAMP:20260404T222700
CREATED:20260220T135527Z
LAST-MODIFIED:20260220T135558Z
UID:10016465-1778153400-1778171400@oxfordtouristinformation.com
SUMMARY:New Work 2026 at the West Ox Arts Gallery in Bampton
DESCRIPTION:Venue\, Timing and Cost\n\nVenue:\n\nWest Ox Arts Gallery\, Bampton.\n\n\n\nDate(s):\n\nSaturday\, 14 February 2026 to Saturday\, 14 March 2026\n\n\n\nTiming:\n\nTues to Sat 11.30 – 4.30\, Sun 2 – 4\, Mondays closed\n\n\n\nCost:\n\nfree\n\n\n\n\n\n\n\nWest Ox Arts is delighted to present New Work 26\, an exhibition celebrating the breadth and diversity of work created by its members. Taking place from 14 February to 14 March 2026\, the exhibition will be held at the WOA Gallery\, a distinctive and well-established venue in the heart of Bampton\, Oxfordshire.\nVisitors are invited to explore an inspiring range of contemporary art and craft\, including painting\, sculpture\, glass\, jewellery\, textiles\, wood\, and wirework. The exhibition reflects the richness of artistic practice within the West Ox Arts community and offers something to engage every visitor.\nHighlights include:\n* Meet the artists – Learn about their inspirations\, creative processes\, and the stories behind the work.\n* Discover new talent – Find emerging and established artists\, uncover unique pieces\, or simply enjoy the pleasure of artistic exploration.\n* Support local creativity – Your visit helps sustain and encourage the region’s vibrant artistic community.\nArtists interested in exhibiting in our member exhibitions are warmly invited to enquire about West Ox Arts membership. For further information\, please contact:
gallery@westoxarts.com\nWe look forward to welcoming you to the gallery. \nVisitor Information\n* Free entry\n* Opening Times:\n* Tuesday–Saturday: 11:30am – 4:30pm\n* Sunday: 2:00pm – 4:00pm\n* Monday: Closed\n* WOA Gallery\,Market Square. Bampton\, Oxfordshire. OX18 2JH \n\n\n\n\nFurther Information\n\nContact Details:\n\n\nEmail: gallery@westoxarts.com\nWebsite: www.westoxarts.com\nInstagram: @westoxarts\nFacebook: WestOxArts \nTelephone: 01993 850137 \n\n 
URL:https://oxfordtouristinformation.com/event/new-work-2026-at-the-west-ox-arts-gallery-in-bampton/2026-05-07/
LOCATION:Ox Arts Gallery\, Bampton\, Market Sq\, OX18 2JH
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Event-10-E.jpg
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DTSTART;TZID=Europe/London:20260507T140000
DTEND;TZID=Europe/London:20260507T170000
DTSTAMP:20260404T222700
CREATED:20260304T144503Z
LAST-MODIFIED:20260304T144503Z
UID:10018080-1778162400-1778173200@oxfordtouristinformation.com
SUMMARY:VISIT TO ROUSHAM HOUSE AND GARDENS
DESCRIPTION:Thu 7 May 2026\, 2-4.45pm             Off-site visit \nAn Exclusive off-site visit for Members of the Ashmolean to Rousham Park\, Rousham\, Bicester\, OX25 4QU \nTickets are £45 each or £55 if you include the morning Western Art Print Room visit \nCoach travel is included in the ticket price. Meet at the St. Giles entrance to the Ashmolean Museum \nBooking is essential. Book below \n\nJoin us on this rare opportunity for a guided tour of Rousham House historic interiors and landscape gardens by William Kent. \nThe 17th century historic Rousham House was remodelled by William Kent in 1738 and still retains much of his characteristic decoration. Designed for General Dormer the Painted Parlour is Kent’s exquisite creation. \nRousham Park is one of England’s most important gardens and represents the first phase of English landscape design by William Kent. Many of the features that delighted its 18th century visitors remain today for visitors to enjoy. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nViews of Rousham House & Park \nMonty Don included Rousham in his ’80 Gardens of the World’ TV series\, saying ‘Kent is the great genius of 18th-century garden design and Rousham is his masterpiece’. \nRefreshments are not available on this visit. You are welcome to bring your own. \nMore information will be sent to ticketholders closer to the event date. \n\nBOOKING\nTickets are £45 each or £55 if you include the morning Western Art Print Room visit \nCoach travel is included in the ticket price. Meet at the St. Giles entrance to the Ashmolean Museum
URL:https://oxfordtouristinformation.com/event/visit-to-rousham-house-and-gardens/
LOCATION:Rousham Park
ATTACH;FMTTYPE=image/jpeg:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Imagen-11.jpg
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DTSTART;TZID=Europe/London:20260507T143000
DTEND;TZID=Europe/London:20260507T163000
DTSTAMP:20260404T222700
CREATED:20260228T160124Z
LAST-MODIFIED:20260228T160124Z
UID:10018033-1778164200-1778171400@oxfordtouristinformation.com
SUMMARY:The Beekeeper of Aleppo
DESCRIPTION:Tickets from £15* \n\nAge\n14+\nInterval\nYes\nWarning\nSee full list of content warnings below\nVenue\nOxford Playhouse\n\n \n\n Sparklingly assured… impressive show… anchored in strong performances from a uniformly excellent ensemble cast\nThe Telegraph \n\n \nProudly presented by Martin Dodd for UK Productions Ltd in association with Nottingham Playhouse\, adapted by Nesrin Alrefaai and Matthew Spangler\, from the International No.1 Bestseller Christy Lefteri. \n‘I was scared of the bees at first\, but now\, they make me feel alive. They are like a society in complete harmony with itself. Not like people at all\, but maybe what people have the potential to be.’ \nNuri is a beekeeper; his wife\, Afra\, an artist. They live a simple life\, rich in family and friends\, in the beautiful Syrian city of Aleppo – until the unthinkable happens. When all they care for is destroyed by war\, they are forced to escape. \nOn their terrifying journey\, they must face the pain of their own unbearable loss alongside incredible danger. Above all\, they must journey to find each other again. This compassionate and beautiful play is a story of connection – between friends\, families and strangers. \nWinner of the Aspen Words Award\, Runner up for the Dayton Literary Peace Prize\, and one of The Times top three bestselling books of 2020\, Christy Lefteri’s best-selling novel is adapted by Nesrin Alrefaai\, and Matthew Spangler who adapted The Kite Runner. \n\n \n\n0 Stars \n A story of loss\, love\, resilience and hope. … it’s impossible not to be moved.\nThe Observer \n\n \n\n4 Stars \n Fast moving inventive production is epic in ambition and human in scale\nThe Scotsman \nContains themes of war\, violence & murder\, loss of a child. References to sexual abuse\, mental illness & forced migration. \nShow contains strobe and flashing lights\, haze\, sudden loud noises. \n\n\nImage gallery
URL:https://oxfordtouristinformation.com/event/the-beekeeper-of-aleppo/2026-05-07/1/
LOCATION:Oxford Playhouse\, 11-12 Beaumont St\, Oxford\, OX1 2LW
ATTACH;FMTTYPE=image/webp:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Event-18-BE.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T180000
DTEND;TZID=Europe/London:20260507T190000
DTSTAMP:20260404T222700
CREATED:20260215T101855Z
LAST-MODIFIED:20260215T101855Z
UID:10015902-1778176800-1778180400@oxfordtouristinformation.com
SUMMARY:Jackie Morris & Robert Macfarlane THE BOOK OF BIRDS
DESCRIPTION:Join us at the Sheldonian Theatre for an evening with Jackie Morris & Robert MacFarlane talking about their latest collaboration. \n\n\n\n\nThe Book of Birds \nFrom the creators of the internationally bestselling\, award-winning\, multi-adapted phenomenon The Lost Words: a dazzling celebration of birdlife in Britain\, re-imagining the classic field guide for a new generation of nature lovers \nA great thinning of the skies is underway. Around 50% of bird species are in decline worldwide. Our dawns and springs are quieter each year than the last. An almost unimaginable abundance has been lost. It does not have to be this way — but we will not save what we do not love. \nThe Book of Birds is a compendium of forty-nine bird species\, from Avocet to Yellowhammer\, all of which are presently declining or endangered in Britain. Inspired by the classic bird-books with which the authors grew up\, this is a field guide with a difference. It asks not ‘What is that bird?’\, but ‘Who is that bird?’ It shows its readers how to identify birds\, but also how to identify with them. \nWith lyrical precision and playfulness\, Robert Macfarlane evokes each bird’s habits and habitats — their patterns of flight and of song\, how they hunt and gather\, how they nest and raise their young\, the stories and myths which attend them\, the threats which shadow them\, and how their wild lives intersect with our own. And on every page we encounter Jackie Morris’s exhilarating artwork\, painted in watercolour and gold and animated by an extraordinary attention to detail and sense of life. Set among this dazzling flock of species are seven sections celebrating the ‘Seven Wonders’ that together make up the everyday miracle of ‘Bird’: Nest\, Egg\, Beak\, Song\, Feather\, Flight and Migration. \nSeven years in the making\, The Book of Birds is a love letter to the splendours and mysteries of birdlife\, and a clarion call to halt the loss of birds from land\, sea and sky. From Dipper to Dunnock and Kestrel to Kingfisher\, from mountain to ocean and city to river\, Jackie Morris and Robert Macfarlane conjure the unique spirit and lifeway of each species. This is a book to be treasured by bird-lovers of all ages\, and a future classic work of reference. \nJackie Morris \nJackie Morris is a british artist and grew up in the Vale of Evesham. She studied at Hereford College of Arts and at Bath Academy and currently lives in a cottage on the cliffs of Pembrokeshire. Jackie has illustrated for the New Statesman\, Independent and Guardian. She has collaborated with Ted Hughes\, and has written & illustrated over forty books\, including beloved classics such as The Snow Leopard\, The Ice Bear\, Song of the Golden Hare\, Tell Me a Dragon\, East of the Sun\, West of the Moon\, The Wild Swans and The Unwinding. \nIn 2017 the internationally acclaimed The Lost Words\, a collaboration with Robert Macfarlane\, was released and followed up with The Lost Spells in 2020. Jackie Morris has appeared\, painting live on a big screen\, at Spell Song Concerts at numerous venues including The Royal Festival Hall\, The Royal Albert Hall\, and the International Hay Festival and in 2021 from The Natural History Museum. Jackie Morris was awarded The Hay Medal for Illustration 2018 and the CLIK Kate Greenaway Medal 2019 for The Lost Words. \nRobert Macfarlane \nRobert Macfarlane is Professor of Literature and the Environmental Humanities at the Faculty of English in Cambridge. He is well-known as a writer about nature\, climate\, landscape\, people and place\, and his books –– which include Underland (2019)\, a book-length prose-poem Ness (2018)\, Landmarks (2015)\, The Old Ways (2012) and Mountains of the Mind (2003) –– have been translated into more than thirty languages\, won prizes around the world\, and been widely adapted for music\, film\, television\, radio and theatre. \nHe has also written operas\, plays\, and films including River (2022) and Mountain (2017)\, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson and Stanley Donwood\, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art\, The Lost Words (2017) and The Lost Spells (2020). As a lyricist\, he has written songs and albums with musicians including Cosmo Sheldrake\, Karine Polwart and Johnny Flynn\, with whom he has released two albums\, Lost In The Cedar Wood (2021) and The Moon Also Rises (2023) and an EP\, Six Signs (2022). In 2022\, with the actor-director Simon McBurney he co-adapted Susan Cooper’s classic fantasy novel The Dark Is Rising into a twelve-part BBC audio drama series. \nHe is a Fellow of Emmanuel College and of the Royal Society of Literature. In 2017 the American Academy of Arts and Letters awarded him the EM Forster Prize for Literature\, and in 2023 in Toronto he was awarded the inaugural Weston International Award for career achievement in non-fiction. His latest book is entitled Is a River Alive? and concerns the lives and deaths of rivers and the global Rights of Nature movement.
URL:https://oxfordtouristinformation.com/event/jackie-morris-robert-macfarlane-the-book-of-birds/
LOCATION:Sheldonian Theatre\, Sheldonian Theatre\, Broad Street\, Oxford\, England\, OX1 3AZ\, United Kingdom
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-15-at-10.18.05.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260507T193000
DTEND;TZID=Europe/London:20260507T213000
DTSTAMP:20260404T222700
CREATED:20260228T160124Z
LAST-MODIFIED:20260228T160124Z
UID:10018034-1778182200-1778189400@oxfordtouristinformation.com
SUMMARY:The Beekeeper of Aleppo
DESCRIPTION:Tickets from £15* \n\nAge\n14+\nInterval\nYes\nWarning\nSee full list of content warnings below\nVenue\nOxford Playhouse\n\n \n\n Sparklingly assured… impressive show… anchored in strong performances from a uniformly excellent ensemble cast\nThe Telegraph \n\n \nProudly presented by Martin Dodd for UK Productions Ltd in association with Nottingham Playhouse\, adapted by Nesrin Alrefaai and Matthew Spangler\, from the International No.1 Bestseller Christy Lefteri. \n‘I was scared of the bees at first\, but now\, they make me feel alive. They are like a society in complete harmony with itself. Not like people at all\, but maybe what people have the potential to be.’ \nNuri is a beekeeper; his wife\, Afra\, an artist. They live a simple life\, rich in family and friends\, in the beautiful Syrian city of Aleppo – until the unthinkable happens. When all they care for is destroyed by war\, they are forced to escape. \nOn their terrifying journey\, they must face the pain of their own unbearable loss alongside incredible danger. Above all\, they must journey to find each other again. This compassionate and beautiful play is a story of connection – between friends\, families and strangers. \nWinner of the Aspen Words Award\, Runner up for the Dayton Literary Peace Prize\, and one of The Times top three bestselling books of 2020\, Christy Lefteri’s best-selling novel is adapted by Nesrin Alrefaai\, and Matthew Spangler who adapted The Kite Runner. \n\n \n\n0 Stars \n A story of loss\, love\, resilience and hope. … it’s impossible not to be moved.\nThe Observer \n\n \n\n4 Stars \n Fast moving inventive production is epic in ambition and human in scale\nThe Scotsman \nContains themes of war\, violence & murder\, loss of a child. References to sexual abuse\, mental illness & forced migration. \nShow contains strobe and flashing lights\, haze\, sudden loud noises. \n\n\nImage gallery
URL:https://oxfordtouristinformation.com/event/the-beekeeper-of-aleppo/2026-05-07/2/
LOCATION:Oxford Playhouse\, 11-12 Beaumont St\, Oxford\, OX1 2LW
ATTACH;FMTTYPE=image/webp:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Event-18-BE.webp
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