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X-WR-CALDESC:Events for Oxford Tourist Information
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260608
DTSTAMP:20260420T083818
CREATED:20260303T085541Z
LAST-MODIFIED:20260303T085541Z
UID:10018058-1718150400-1780876799@oxfordtouristinformation.com
SUMMARY:Stories around a Feather Cloak
DESCRIPTION:At the Pitt Rivers Museum in Oxford\, England\, you can see a beautiful Ahu’ula\, a feather cloak from Hawaii. It is on display on the ground floor\, in a case that has a curtain covering the glass\, which when drawn back reveals the striking yellow\, red and black design worked in tiny feathers. Draw back the curtain to see the feather cloaks on display and read the interpretation to learn how these Ahu ‘ula (cloaks) were used to reinforce political and diplomatic transactions\, solidify relationships\, and engender obligations. This feather cloak inspired the original commission for the Poakalani Quilting group\, who went on to make fifteen quilts for the museum\, which are on display in the special exhibition\, Hawai’i Ma uka to Ma kai: Quilting the Hawaiian Landscape.
URL:https://oxfordtouristinformation.com/event/stories-around-a-feather-cloak/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-08.53.53.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260508
DTSTAMP:20260420T083818
CREATED:20260303T084750Z
LAST-MODIFIED:20260303T085031Z
UID:10018056-1718150400-1778198399@oxfordtouristinformation.com
SUMMARY:Hawaii: Ma uka to Ma kai Quilting the Hawaiian Landscape
DESCRIPTION:The ahupua‘a\, a land division extending from the mountains to the sea\, has long been the cornerstone of sustainable land management for Kanaka Maoli (Hawaiian) communities. “Ma uka” (toward the mountains) and “Ma kai” (toward the sea) are not merely directional references; they signify a deep understanding of care and access to natural and cultural resources within these regions. \nThrough a combination of contemporary and historic mea noʻeau (skillfully created works) this special exhibition explores the past\, present\, and future of the ahupua‘a system. Hawaiian quilts by the Honolulu-based Poakalani Quilters are curated in narrative that follows the ahupua‘a and the people working with the landscape\, from mountain forests to the coastal waters\, and as well as introducing the Hawaiian royal history of the palatial grounds of their group meeting place. \nJoin us on a journey through time through the ahupua‘a in this special exhibition: witness the disruption of indigenous practices over the past 150 years\, accompanied by a decline in Hawaiian ecosystems\, alongside stories of resilience and restoration. Travelling from Ma uka to Ma kai\, discover efforts of contemporary practitioners who embrace 21st-century sustainable stewardship\, and how looking back towards traditional practices offers a glimpse into a future of abundance and harmony between communities and their environment.
URL:https://oxfordtouristinformation.com/event/hawaii-ma-uka-to-ma-kai-quilting-the-hawaiian-landscape/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-08.45.51.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260508
DTSTAMP:20260420T083818
CREATED:20260303T085236Z
LAST-MODIFIED:20260303T085236Z
UID:10018057-1718150400-1778198399@oxfordtouristinformation.com
SUMMARY:Hulu Nēnē By MANAOLA
DESCRIPTION:Discover the beautifully sculptural Hulu Nēnē dress by fashion icon Manaola Yap\, a designer and cultural practitioner from Hawaiʻi\, within the Pitt Rivers Museum galleries. \nDisplayed in a case in near the centre of the museum court on the ground floor\, this installation is part of the journey through the Hawaiian landscape offered through the museum’s current special exhibition Hawaii: Ma uk to Ma kai. \nThrough the special collection of their designs\, Manaola honors and pays homage to the great warrior chief\, Kamehameha\, Pai`ea. Born on Hawai`i Island in secrecy and taken to safety by a swift runner to the high cliffs of `Awini Kohala\, the infant king was hidden in the caves to escape the order of Alapa`i Nui that the infant be put to death. The Designer gains his inspiration from ancestral chants\, and stories speaking of the youthful years of the royal child.
URL:https://oxfordtouristinformation.com/event/hulu-nene-by-manaola/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-08.49.25.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260608
DTSTAMP:20260420T083818
CREATED:20260303T090904Z
LAST-MODIFIED:20260303T090904Z
UID:10018060-1718150400-1780876799@oxfordtouristinformation.com
SUMMARY:Revisiting Robert Louis Stevenson in the Pacific
DESCRIPTION:In this Archive Case display\, artists Simon Grennan and Solomon Enos re-examine the work of nineteenth century author Robert Louis Stevenson through dynamic graphic storytelling. Stevenson travelled to several Pacific islands before settling in Sāmoa in 1890. Referencing this time in Sāmoa\, as well as Hawai’i and Europe\, related items are brought together from the Museum’s Pacific collections and displayed alongside historical publications of Stevenson’s Pacific stories\, set within new graphic remediations of these stories as comics by British and Hawaiian artists. The illustration-led display explores the journey of ideas across media (remediation) in the nineteenth and twenty-first centuries\, Robert Louis Stevenson’s fascination with ‘the foreign’\, and post-colonialism in the Pacific\, including new poetry focused on Hawaiian\, Samoan and European post-colonialism. \nThe display at the Pitt Rivers Museum celebrates work that is part of a wider research project ‘Remediating Stevenson’\, led by a UK research team (Michelle Keown\, Shari Sabeti and Alice Kelly\, Edinburgh University; and Simon Grennan\, Chester University)\, in partnership with the National University of Sāmoa. The project explores Robert Louise Stevenson’s Pacific fiction\, travels\, and friendship with Indigenous Pacific communities. The Remediating Robert Louis Stevenson project is producing the first ever multilingual graphic adaptation of the three stories from Robert Louis Stevenson’s Island Nights’ Entertainments (1893). The project is also commissioning new poetry by indigenous Pacific authors\, and developing a set of accompanying teaching resources for use in Sāmoa\, Hawai’i and Scotland through participatory arts workshops and film-making.
URL:https://oxfordtouristinformation.com/event/revisiting-robert-louis-stevenson-in-the-pacific/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-09.02.24.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240612
DTEND;VALUE=DATE:20260608
DTSTAMP:20260420T083818
CREATED:20260303T091410Z
LAST-MODIFIED:20260303T091410Z
UID:10018061-1718150400-1780876799@oxfordtouristinformation.com
SUMMARY:Unfinished - a poem by Carol Ann Carl
DESCRIPTION:Unfinished is a poem written by Carol Ann Carl\, a daughter of the island of Pohnpei in the Federated States of Micronesia. With a background in Biochemistry and health\, her community work revolves around Micronesian youth and women. Carol Ann was entrusted to be the keeper of traditional origin stories\, which she shares through her writings. Storytelling and writing are personal forms of pedagogical healing. \nUnfinished was commissioned by Marenka Thompson-Odlum\, as part of the Digital Engagement & Innovation project. It exists both as written ‘concrete’ poetry and as a recorded spoken word piece. Unfinished is written from the perspective of the 31 pearl shell tools that the museum has described as ‘unfinished shell shanks of a fishing hook’ which were taken from the King’s tomb at the archaeological site of Nan Madol on Pohnpei. Nan Madol is a series of more than 100 islets off the south-east coast of Pohnpei that were constructed with walls of basalt and coral boulders. These islets harbour the remains of stone palaces\, temples\, tombs and residential domains built between 1100 and 1500 CE. These ruins represent the ceremonial centre of the Saudeleur dynasty\, a vibrant period in Pacific Island culture. The huge scale of the edifices\, their technical sophistication and the concentration of megalithic structures bear testimony to complex social and religious practices of the island societies of the period. \nThe field collector of the shell shanks\, Frederick William Christian\, was a graduate of Balliol College\, Oxford. In his 1899 book\, The Caroline Islands: Travel in the Sea of the Little Lands\, he recounts the excavation of ‘Eighty pearl-shell shanks of fish-hooks in a more or less perfect condition\, exactly resembling those used all over Polynesia before the coming of the white man. The hook itself was generally of bone\, but we found some fragments of pearl-shell which were clearly relics of the barb.’ \nChristian was also a close friend of Robert Louis Stevenson when he lived in the neighbouring Pacific Island of Samoa. It was Stevenson who encouraged Christian to travel to remote groups of Pacific islands and study their languages. In his books\, he often references Stevenson’s works such as Beach of Falesá.
URL:https://oxfordtouristinformation.com/event/unfinished-a-poem-by-carol-ann-carl/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/03/Screenshot-2026-03-03-at-09.12.12.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251108
DTEND;VALUE=DATE:20261109
DTSTAMP:20260420T083818
CREATED:20260303T091657Z
LAST-MODIFIED:20260303T091657Z
UID:10018062-1762560000-1794182399@oxfordtouristinformation.com
SUMMARY:With these Hands: Crafting a Shared Humanity
DESCRIPTION:With these Hands is a co-produced gallery trail created by a multicultural team of volunteers who share an interest in the hand-crafted.\n  \nThrough the objects chosen and the stories told\, you are invited to learn more about the way we craft and make in different cultures. Objects and storytelling enabling us to engage in shared experiences\, emotions and ideas. \n  \n\nObjects tell human stories\nThey speak of hardship and dignity\, of celebration\, and resistance \n  \nThe trail has nine stops around the Museum galleries\, with five of the nine stops on the ground floor\, three on the first floor and one on the second floor. We encourage visitors to use the trail map\, starting on the first floor\, moving up to the second floor and then finishing on the ground floor. \nThis trail was created as part of Multaka-Oxford. Our co-curators went on a journey together working closely with the museum collections and teams of experts. They have all thought deeply about the stories their chosen objects inspired.
URL:https://oxfordtouristinformation.com/event/with-these-hands-crafting-a-shared-humanity/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260423T100000
DTEND;TZID=Europe/London:20260424T170000
DTSTAMP:20260420T083818
CREATED:20260419T084101Z
LAST-MODIFIED:20260419T084101Z
UID:10019458-1776938400-1777050000@oxfordtouristinformation.com
SUMMARY:MEG Conference 2026
DESCRIPTION:Thursday 23 & Friday 24 April\, 10.00 – 17.00 \nStandard ticket (2 days) £110 \nConcessionary (2 days) £85 \nInternational – Global Majority £50 \nOnline (2 days) £30 \nAfrican Community Connections: A Celebration (Evening event) Free but booking required \nBook your tickets here \nThe Pitt Rivers Museum is delighted to be hosting the 2026 Museum Ethnographers Group (MEG) Conference. The conference is being organised as part of the Rethinking Relationships project\, an Arts Council England funded project that works across four museums and with partners in Africa and the African diaspora to develop new museum practice. This year’s conference theme is equitable collaboration and asks what does collaboration actually do\, both inside museums and for the communities and individuals who choose to collaborate. What is collaboration able to do/undo? \n  \n\nMEG is a UK-based international collective and subject-specialist network made up of museum professionals\, academics\, researchers\, students\, artists\, activists and individuals who care for and engage with global cultural collections. The Conference provides a platform for current and emerging research on global cultural heritage and fosters exchange in a supportive and collegiate environment. \n  \n  \nFind out more about the free African Community Connections: A Celebration evening event here. \n 
URL:https://oxfordtouristinformation.com/event/meg-conference-2026/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/04/Screenshot-2026-04-19-at-09.40.10.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260423T180000
DTEND;TZID=Europe/London:20260423T210000
DTSTAMP:20260420T083818
CREATED:20260419T084224Z
LAST-MODIFIED:20260419T084224Z
UID:10019459-1776967200-1776978000@oxfordtouristinformation.com
SUMMARY:African Community Connections: A Celebration
DESCRIPTION:Thursday 23 April\, 18.00 – 21.00 \nFree but booking required. Book your free place here. \nJoin us at the Pitt Rivers Museum for an evening of music\, conversation and shared reflection\, celebrating the work we have been doing with African and diaspora partners. \nThis special public event brings together community collaborators\, artists\, researchers and museum colleagues for an informal evening in the galleries with a DJ\, bar and a range of activities. \nThere will be participatory object handling and a basket weaving workshop in collaboration with African Families in the UK\, live music and a workshop from Bantu Arts. Throughout the evening\, a series of short spotlight sessions will take place across the museum to highlight the work our partners have been doing over the last year\, including viewing artworks\, performances\, spoken word\, and short talks highlighting participants’ experience and specific histories that are held in the the museum collections. \nWe look forward to welcoming you. \nPart of the MEG 2026 Conference.
URL:https://oxfordtouristinformation.com/event/african-community-connections-a-celebration/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/04/Screenshot-2026-04-19-at-09.40.10-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260425T090000
DTEND;TZID=Europe/London:20260425T100000
DTSTAMP:20260420T083818
CREATED:20260419T084346Z
LAST-MODIFIED:20260419T084346Z
UID:10019460-1777107600-1777111200@oxfordtouristinformation.com
SUMMARY:Relaxed Morning Opening
DESCRIPTION:Saturday 25 April\, 9.00 – 10.00 \nFree event but booking required. \nRelaxed morning openings allow visitors to experience the Pitt Rivers Museum and the Museum of Natural History early in the day\, when the buildings are quiet. We open an hour early to welcome visitors who may struggle in the museums at peak times. The number of visitors is capped\, which reduces ambient noise levels and how full the space is. \nThe relaxed morning openings are designed for visitors who may benefit from a calmer environment\, including those on the autism spectrum\, have additional learning needs or sensory and communication difficulties\, and anyone who feels they would benefit from this session. \nFamily members are welcome to support the visit. \nQuiet spaces are available during the opening. \nYou will be able to visit both the Pitt Rivers Museum and the Museum of Natural History during this session. \nPlease email education@oum.ox.ac.uk to book your place.
URL:https://oxfordtouristinformation.com/event/relaxed-morning-opening/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/04/Screenshot-2026-04-19-at-09.40.10-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260502T120000
DTEND;TZID=Europe/London:20260502T150000
DTSTAMP:20260420T083818
CREATED:20260419T084456Z
LAST-MODIFIED:20260419T084945Z
UID:10019461-1777723200-1777734000@oxfordtouristinformation.com
SUMMARY:Family Activity Corner
DESCRIPTION:Saturday 25 April 2026\, 12.00 – 15.00 \nFree drop-in activities on the Clore Balcony (First Floor) led by Museum volunteers. \nJoin us for family-friendly activities. Pick up a trail\, get creative with a craft\, find books to explore and more! \nPlease note: All children taking part must be accompanied by an adult. All materials are provided.
URL:https://oxfordtouristinformation.com/event/family-activity-corner/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/04/Screenshot-2026-04-19-at-09.44.21.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260509T100000
DTEND;TZID=Europe/London:20260509T130000
DTSTAMP:20260420T083818
CREATED:20260419T085332Z
LAST-MODIFIED:20260419T090051Z
UID:10019463-1778320800-1778331600@oxfordtouristinformation.com
SUMMARY:Goldwork Embroidery Workshop
DESCRIPTION:Saturday 9 May\, 10.00 – 13.00 or 14.00 – 17.00  \nTickets: £75 Book here \nMembers: £60 Book here  \nHistoric embroidery company Hand & Lock invite you to join them for a goldwork embroidery workshop at the Pitt Rivers Museum. This beginner-friendly introductory session explores the fundamental techniques of this traditional craft. You’ll work with metal threads and purl bullions\, learning techniques such as pearl purl\, chipping and S’ing to complete a wheat sprig design inspired by a historic harvest knot. Guided by Hand & Lock’s expert embroiderers\, this relaxed and welcoming workshop is perfect for those new to goldwork embroidery. \n\nAbout our Tutors\n\nOur embroidery courses are taught by expert hand embroiderers who have worked in the couture industry for brands such as Alexander McQueen\, Chanel\, Dior\, Valentino\, Hermès\, Louis Vuitton\, YSL\, Givenchy\, Dolce & Gabbana\, Schiaparelli\, Lanvin and Burberry to name a few. The course will cover the basics\, insider tips and practical application making sure students are fully equipped to go on and apply what they have learned to their own pieces and develop their own unique styles. Our tutors are professional embroiderers first and tutors second which means they are able to give you a unique insight into the magical world of couture hand embroidery.\n\nAbout Hand & Lock\n\n\nHand & Lock’s rich history dates back to 1767 when M. Hand\, a young Huguenot refugee from France\, arrived in London and began selling lace to military tailors. As his reputation grew\, M. Hand expanded his business to include the design and manufacture of military badges and uniform accoutrements. His expertise in embellishing officers’ dress uniforms\, which required precision and craftsmanship\, quickly made M. Hand & Co. a trusted name among Savile Row and military tailors—a relationship that endures over 250 years later.In the 1950s\, Stanley Lock\, a gifted embroidery designer\, joined CE Phipps & Co.\, a specialist embroidery house. When the owner retired in 1956\, Lock acquired the business and rebranded it as S. Lock Ltd. The company soon became a key collaborator for haute couture designers like Christian Dior\, Norman Hartnell\, and Hardy Amies\, working on garments for the Queen\, Queen Mother\, and later\, Princess Diana. In recognition of its exceptional craftsmanship\, the company was awarded the Royal Warrant in 1972. \nToday\, Hand & Lock continues to serve a diverse clientele\, including international fashion houses\, emerging designers\, interior decorators\, the Royal Family\, and costume designers for theatre\, film\, and television. Despite its evolution\, the company prides itself on preserving the traditional embroidery techniques that have remained largely unchanged since 1767. \nHand & Lock is not just a hub of expert craftsmanship but also a global ambassador for the fine art of embroidery. Through workshops and educational programs worldwide\, the team remains committed to promoting quality British craftsmanship and passing down the timeless skills of embroidery to future generations.
URL:https://oxfordtouristinformation.com/event/goldwork-embroidery-workshop/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/04/Screenshot-2026-04-19-at-09.51.25.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260509T120000
DTEND;TZID=Europe/London:20260509T150000
DTSTAMP:20260420T083818
CREATED:20260419T085838Z
LAST-MODIFIED:20260419T085838Z
UID:10019464-1778328000-1778338800@oxfordtouristinformation.com
SUMMARY:Family Activity Corner
DESCRIPTION:Saturday 25 April 2026\, 12.00 – 15.00 \nFree drop-in activities on the Clore Balcony (First Floor) led by Museum volunteers. \nJoin us for family-friendly activities. Pick up a trail\, get creative with a craft\, find books to explore and more! \nPlease note: All children taking part must be accompanied by an adult. All materials are provided.
URL:https://oxfordtouristinformation.com/event/family-activity-corner-3/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/04/Screenshot-2026-04-19-at-09.44.21.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260525T120000
DTEND;TZID=Europe/London:20260525T150000
DTSTAMP:20260420T083818
CREATED:20260419T085007Z
LAST-MODIFIED:20260419T085007Z
UID:10019462-1779710400-1779721200@oxfordtouristinformation.com
SUMMARY:Family Activity Corner
DESCRIPTION:Saturday 25 April 2026\, 12.00 – 15.00 \nFree drop-in activities on the Clore Balcony (First Floor) led by Museum volunteers. \nJoin us for family-friendly activities. Pick up a trail\, get creative with a craft\, find books to explore and more! \nPlease note: All children taking part must be accompanied by an adult. All materials are provided.
URL:https://oxfordtouristinformation.com/event/family-activity-corner-2/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/04/Screenshot-2026-04-19-at-09.44.21.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260612T080000
DTEND;TZID=Europe/London:20260612T170000
DTSTAMP:20260420T083818
CREATED:20260225T162150Z
LAST-MODIFIED:20260225T162150Z
UID:10017614-1781251200-1781283600@oxfordtouristinformation.com
SUMMARY:Ola i ka wai | Water is life
DESCRIPTION:The cultural dances of Hawaiian Hula and Tahitian ‘Ori are a vital part of life and are present in religious ceremonies\, social gatherings\, celebrations\, and everyday life. They contain the knowledge and collected memory of its peoples– cultivated over generations– from philosophy\, science\, art and craft\, relationship to Earth\, and the human condition. Presented through story\, prayer\, and entertainment\, Hula and ‘Ori use specific movement language to represent given ideas\, and maintain a sacred connection to Earth and the Cosmos. The dance forms act as a conduit between humanity and the divine\, helping the participants to recognize that they are part of something bigger and that we are all connected. \n  \nInspired by these concepts\, the London School of Hula and ‘Ori (LSHO) created choreography for the  Ma uka to Ma kai exhibition that focuses on the source of life– Water. The choreography explores the water cycle\, from four perspectives: Ocean\, Sky\, Earth\, and Humanity\, attempting to embody the essence of and give form to these elements. Water is central to the functioning of the ahupua’a and to life itself. Without water\, there is no fauna in the forests\, no crops\, no streams to nourish us; simply\, there is no life. Using movement from Hula\, ‘Ori Tahiti\, and contemporary motion\, and combining the mediums of cinema\, sound\, music\, and dance\, the film aims to represent the intertwined and dynamic relationship between humanity and our environment. It encourages the viewer to acknowledge that we are a part of this cycle\, that we are beholden to nature. \n  \n\nSince I can remember\, I have been learning the stories of our ancestors– a rich world of myths and tales that contain the knowledge of the universe. I utilise these myths in my storytelling in order to provide crucial information about the world around us through the lens of womxn from the global majority – past\, present\, and future. These women – my mother\, my grandmothers\, my ancestors – who are able to call upon themselves\, each other\, and the sacred lands to which we are intrinsically bound\, are central to the health of people and Earth\, and thus the continuation of all life. I believe that ancestral knowledge is not a thing of the past\, but holds the key to a healthy future. \nKrysten \n\n  \n\nEverything in the universe is connected\, whether it be the sky to the earth through the falling of the rain\, or person to person through the infectious ease at which emotions can spread. This project showcased how important and moving it is to give in to that oneness with ourselves\, nature\, the world around us\, and each other\, and how none of us are isolated from that connection. \nDanielle \n\n  \n\nOur existence as humans is so tiny but so profound\, we sometimes forget how fragile and interdependent we are. Across cultures\, we see stories that connect us to the elements and to something bigger\, and it is our responsibility to be part of the lineage of these stories\, to deliver them to future generations.  \nAkino \n\nAbout the exhibition\nThe Long Gallery exhibition displays quilts from the Honolulu-based Poakalani Quilters that depict Hula through appliqued designs alongside a photographic series\, Ola i ka wai\, by Krysten Resnick and film depicting the London School of Hula and ‘Ori. A selection of photographs from the series are shown on this webpage\, along with the quilts on display. \nAbout LSHO\nLondon School of Hula and ‘Ori is a cultural dance school and community that aims to uphold and reinterpret the practices of Hawaiian Hula and Tahitian ‘Ori within a modern metropolitan context. By accessing and platforming traditional knowledge systems that combine movement\, myth\, ceremony\, and community we are able to create healthier and more meaningful connections to the self\, our wider communities\, and our Earth and bridge the gaps between past and present– all of which is necessary in shifting the trajectory towards a healthier future. \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOla i ka wai : The Photography Series (selection from the exhibition shown here)\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nMember of the LSHO\, Satomi. Photographed by Krysten Resnick. ‘Ola i ka wai | Water is Life. Long Gallery Exhibition at Pitt Rivers Museum\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nMembers of the LSHO\, Estefania\, Akino\, and Satomi. Photographed by Krysten Resnick. ‘Ola i ka wai | Water is Life. Long Gallery Exhibition at Pitt Rivers Museum\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nMember of the LSHO\, Hayley. Photographed by Krysten Resnick. ‘Ola i ka wai | Water is Life. Long Gallery Exhibition at Pitt Rivers Museum\n\n\n\n\n\n\n\n\nNext slide\nPrevious slide\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nNext slide\nPrevious slide\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \nā Mele ʻo Hula Kahiko (Songs of Hula). Quilted by Yoshimi Suzuki. Designed by John Serrao co-founder of Poakalani Quilters. PRM 2022.57.2 \n\n  \n\nStories from the Quilting Circle \nby Yoshimi Suzuki \n  \n  \nI started quilting with Poakalani in 2000 at the Royal Hawaiian Shopping and under the direction of Kumu (teacher) John Serrao I was able to receive my teacher’s certification in 2006. I started my Quilting Class in Yokohama in 2006\, called “Hālau Kuiki O Owyhee” (Quilt Class of Hawaiʻi) a name given to me by Kumu John. In the tradition of the Poakalani Class in Hawaii\, I produced Quilt Shows in Japan every two years showcasing my students Quilts. In 2015 I received the highest honour from Kumu John my Hawaiian name “POMAIKALANI” which means blessings from heaven. \n  \nThe motifs on this quilt are Pahu hula(drum)\, ʻUli ʻuli(feathered rattles)\, Pūniu( coconut knee drum) used in classical hula dancing and Maile leaves represents Laka (Goddess of hula). In this way they are related to Hawaiian life. The central part has Wāwae Moa (chicken feet stitches) which is one of the traditional techniques. \n  \nWhen DESIGNER and QUILTER have pens or needles\, we think about the history and the traditions of Hawaiʻi\, or the lifestyle of the time still exists. By reviving and expressing them\, we play a role in conveying the history of Hawaii\, the royal family (Aliʻi) and Hawaiian culture. \n  \nJohn & Poakalani family has a history of learning the original techniques on the ship Thaddeus boarded by missionaries in the 1820. It’s great honour for me to learn from them who are the ancestors of the tradition\, which is now loved all over the world. \n  \nWe hope that people around the world will be interested in the culture and traditions of Hawaiʻi through our Hawaiian quilts. \n  \nThe tradition continues… \n  \n  \n  \n \nTi Leaf and Lauaʻe. Quilted by Pat Gorelangton. Designed by John Serrao. PRM 2022.57.12 \n\n  \nWai ʻapu lau kī. \nWater in a ti-leaf cup. \n [When one goes to the upland and needs a cup to dip water from the stream or spring\, he folds a ti leaf to form a dipper.] \n\n\nStories from the Quilting Circle\nby Pat Gorelangton\n \nI have been a quilter for almost 40 years. Though I’ve tried other quilting styles\, once I joined the Poakalani Quilt Group 18 years ago\, Hawaiian quilting became my passion. To me\, it has the symmetry that appeals to my sense of order\, while also having a beautiful freedom of movement…especially in the designs of John Serrao. John was a master designer; it was a privilege to learn from him. The knowledge and support that the entire Serrao ohana (family) has given to me over the years is nourishment for my soul. One of my favourite things to do is to complete a quilt that was started by someone’s grandmother or auntie years ago…but any time I can make a quilt\, whether as a commission\, or an idea I had and am trying to express\, is truly a joy. \nSo much of the Hawaiian quilt patterns are inspired by our plants and our culture. This Ti Leaf and Laua’e quilt is one of John’s beautiful designs. There are two kinds of laua’e fern…one comes from Australia\, and the other much rarer one is indigenous to the Hawaiian Islands. It has a faint but lovely fragrance and is used in gardens as well as floral arrangements. The ti leaf has many uses in Hawaiian life; from religious ceremonies to food wrapping\, to skirts for hula dancers\, and lei for ceremonies. \nI’ve made over 170 Hawaiian wall hangings and bed quilts and have been part of articles and videos about Hawaiian Quilting over the years\, which I hope to have conveyed my love of this beautiful\, cultural art of Hawai’i.
URL:https://oxfordtouristinformation.com/event/ola-i-ka-wai-water-is-life/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/estefania_akino_satomi_by_krysten_resnick.png
ORGANIZER;CN="Pitt Rivers Museum":MAILTO:prm@prm.ox.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260616T100000
DTEND;TZID=Europe/London:20260616T230000
DTSTAMP:20260420T083818
CREATED:20260419T090332Z
LAST-MODIFIED:20260419T090332Z
UID:10019465-1781604000-1781650800@oxfordtouristinformation.com
SUMMARY:Behind the Scenes with the Conservation Team
DESCRIPTION:Tuesday 16 June 2026\, 10.00 – 11.00 & 11.30 – 12.30 \nExclusive Member’s event. Free but booking required due to limited space. \nBook your ticket here \nCome behind the scenes and meet the Conservation team at the Pitt Rivers Museum! \nIn this session you will be invited into the Museum’s Conservation Laboratory to see what the team are currently working on. See objects up close and hear how our conservators use a variety of techniques to stabilise\, preserve and slow down the deterioration of ethnographic objects. As well as conserving artefacts\, they advise on the control of Museum environment\, prevent insect attack without deploying dangerous pesticides\, oversee the safe packing of artefacts for international loan or safe storage and make sometimes tricky ethical decisions on how to preserve unique and irreplaceable objects. Hear about how conservation work underpins every aspect of the workings of the Museum and get the chance to ask questions about the work taking place. \nRead more about the crucial work of this team\, plus see case studies of recent work here.
URL:https://oxfordtouristinformation.com/event/behind-the-scenes-with-the-conservation-team-2/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/04/Screenshot-2026-04-19-at-10.02.21.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260616T113000
DTEND;TZID=Europe/London:20260616T123000
DTSTAMP:20260420T083818
CREATED:20260223T145102Z
LAST-MODIFIED:20260419T090500Z
UID:10019466-1781609400-1781613000@oxfordtouristinformation.com
SUMMARY:Behind the Scenes with the Conservation Team
DESCRIPTION:Exclusive Member’s event. Free but booking required due to limited space. \nBook your ticket here \nCome behind the scenes and meet the Conservation team at the Pitt Rivers Museum! \nIn this session you will be invited into the Museum’s Conservation Laboratory to see what the team are currently working on. See objects up close and hear how our conservators use a variety of techniques to stabilise\, preserve and slow down the deterioration of ethnographic objects. As well as conserving artefacts\, they advise on the control of Museum environment\, prevent insect attack without deploying dangerous pesticides\, oversee the safe packing of artefacts for international loan or safe storage and make sometimes tricky ethical decisions on how to preserve unique and irreplaceable objects. Hear about how conservation work underpins every aspect of the workings of the Museum and get the chance to ask questions about the work taking place. \nRead more about the crucial work of this team\, plus see case studies of recent work here.
URL:https://oxfordtouristinformation.com/event/behind-the-scenes-with-the-conservation-team/2026-06-16/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-14.50.29.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260619T100000
DTEND;TZID=Europe/London:20260619T163000
DTSTAMP:20260420T083818
CREATED:20260223T150139Z
LAST-MODIFIED:20260223T150139Z
UID:10017608-1781863200-1781886600@oxfordtouristinformation.com
SUMMARY:Plaited Basketry Workshop
DESCRIPTION:Ticket price includes lunch and refreshments on both days \nTickets: £160  Book here \nMembers: £128 Book here \n\nPlaited basketry is found around the world where materials are easily made into long flat ribbon-like strips – including palm leaves\, bamboo\, birch bark and cane.  Alternatively more modern manufactured materials including plastic packing tape\, Somband\, cardboard and papers can be used. \nPlaited basketry can be relatively straightforward to work with a simple over one/under one ‘checkweave’\, or far more complex twill patterns. A defining feature of plaited basketry is the similarity between weaving elements\, in other words\, little distinction between stakes and weavers (warp/weft). Plaited basketry techniques also include triaxial hexagonal plaiting\, right through to the appropriately named ‘mad weave’. Rest assured this introductory course will only be looking at checkweave! \nIn this two day introductory workshop we will be working with old maps to learn the techniques for making a small basket based on ‘elbow baskets’\, made by the Choctaw people in South East USA. The ‘elbow basket’ is traditionally made with river cane and various forms and weave patterns are made – some simple and others more complex. As with most basketry techniques many variations are possible depending on scale and materials used for working. \nIn the workshop you will learn how to prepare your weaving strips\, how to work basic checkweave\, then on to making the elbow basket form\, how to work a simple border\, and finally adding a small hanging handle. \nIf time allows\, it might be possible to make a additional small basket using plaited basketry techniques. \nYour tutor\, Polly Pollock\, will bring along suitable old maps for you to use\, together with any other materials and simple tools you’ll need. \nDuring this 2-day course you will have the opportunity to look at plaited basketry in the Pitt Rivers Museum collections.  Polly will prepare a trail map showing the location of interesting examples of plaited basketry in the displays. The workshop will take place behind the scenes in the Conservation Laboratory where you be able to see a few more examples from their reserve collection. \nPolly will also bring a selection of plaited baskets from her personal collection\, as well as samples and examples to illustrate other materials which can be used for plaited basketry techniques.
URL:https://oxfordtouristinformation.com/event/plaited-basketry-workshop-2/2026-06-19/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-14.59.19.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260620T100000
DTEND;TZID=Europe/London:20260620T163000
DTSTAMP:20260420T083818
CREATED:20260223T150139Z
LAST-MODIFIED:20260223T150139Z
UID:10017609-1781949600-1781973000@oxfordtouristinformation.com
SUMMARY:Plaited Basketry Workshop
DESCRIPTION:Ticket price includes lunch and refreshments on both days \nTickets: £160  Book here \nMembers: £128 Book here \n\nPlaited basketry is found around the world where materials are easily made into long flat ribbon-like strips – including palm leaves\, bamboo\, birch bark and cane.  Alternatively more modern manufactured materials including plastic packing tape\, Somband\, cardboard and papers can be used. \nPlaited basketry can be relatively straightforward to work with a simple over one/under one ‘checkweave’\, or far more complex twill patterns. A defining feature of plaited basketry is the similarity between weaving elements\, in other words\, little distinction between stakes and weavers (warp/weft). Plaited basketry techniques also include triaxial hexagonal plaiting\, right through to the appropriately named ‘mad weave’. Rest assured this introductory course will only be looking at checkweave! \nIn this two day introductory workshop we will be working with old maps to learn the techniques for making a small basket based on ‘elbow baskets’\, made by the Choctaw people in South East USA. The ‘elbow basket’ is traditionally made with river cane and various forms and weave patterns are made – some simple and others more complex. As with most basketry techniques many variations are possible depending on scale and materials used for working. \nIn the workshop you will learn how to prepare your weaving strips\, how to work basic checkweave\, then on to making the elbow basket form\, how to work a simple border\, and finally adding a small hanging handle. \nIf time allows\, it might be possible to make a additional small basket using plaited basketry techniques. \nYour tutor\, Polly Pollock\, will bring along suitable old maps for you to use\, together with any other materials and simple tools you’ll need. \nDuring this 2-day course you will have the opportunity to look at plaited basketry in the Pitt Rivers Museum collections.  Polly will prepare a trail map showing the location of interesting examples of plaited basketry in the displays. The workshop will take place behind the scenes in the Conservation Laboratory where you be able to see a few more examples from their reserve collection. \nPolly will also bring a selection of plaited baskets from her personal collection\, as well as samples and examples to illustrate other materials which can be used for plaited basketry techniques.
URL:https://oxfordtouristinformation.com/event/plaited-basketry-workshop-2/2026-06-20/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-14.59.19.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260718T100000
DTEND;TZID=Europe/London:20260718T163000
DTSTAMP:20260420T083818
CREATED:20260223T150336Z
LAST-MODIFIED:20260223T150336Z
UID:10017610-1784368800-1784392200@oxfordtouristinformation.com
SUMMARY:Cordage Making Workshop
DESCRIPTION:Ticket price includes lunch and refreshments \nTickets: £120 FULLY BOOKED \nMembers: £96 FULLY BOOKED \n\nWorking with a variety of repurposed materials\, including paper\, cloth and plastics\, this one-day workshop\, led by artist Alice Fox\, introduces cordage (string) making\, followed by looping with the cordage to make small vessel forms. Combining basic techniques with an experimental approach to materials\, this workshop has an emphasis on process and will provide you with the skills to experiment further with a range of materials. We will also look at examples from the collections to inform our making. \nAbout Alice Fox \nMy process-led practice is based on personal engagement with landscape and has sustainability at its heart. I am fascinated by the detail of organic things and my work celebrates and carries an essence of what I experience in the natural world. My background in physical geography and nature conservation underpins my artistic practice. I work with natural fibres and gathered materials\, employing natural dyes\, stitch\, weave and soft basketry techniques. These elements come together in different combinations to create grouped surfaces and structures. \nI studied Contemporary Surface Design & Textiles at Bradford School of Arts & Media and completed an MA in Creative Practice at Leeds Arts University. I work from the allotment and my studio in Saltaire\, West Yorkshire\, UK. I exhibit\, lecture and teach workshops nationally and internationally. I am a member of the Textile Study Group. \nhttps://alicefox.co.uk
URL:https://oxfordtouristinformation.com/event/cordage-making-workshop-2/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-15.02.11.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260920T110000
DTEND;TZID=Europe/London:20260920T130000
DTSTAMP:20260420T083818
CREATED:20260223T150635Z
LAST-MODIFIED:20260223T150635Z
UID:10017611-1789902000-1789909200@oxfordtouristinformation.com
SUMMARY:Visible Mending Workshop
DESCRIPTION:Tickets: £40 Book here \nMembers £32 Book here \nAbout the Workshop \nLearn the art of visible mending with Rosie Leech and repair your own jumper with wool in a contrasting colour. This is a beautiful way to bring new life to old clothes\, turning a rip or hole into a feature. Please note that this workshop is for wool repair only. \nBYOJ (Bring Your Own Jumper) \nParticipants in this workshop will need to bring their own woolly jumper\, hat or socks (with holes) for mending. Coloured darning wool\, needles and darning mushrooms will be provided and you will be shown how to repair holes by creating beautiful patterns using the techniques of darning. \nAbout Rosie \nRosie Leech is a clothes restorer and illustrator living in Oxford. She has been sewing since the age of six and took up darning several years ago\, when her favourite yellow jumper went into holes. She now darns as a freelancer\, using traditional woven darns for holes\, Swiss darning for worn areas and boro and sashika for cotton clothing. She mostly works with visible repairs\, making a feature out of the mends themselves. \nContact Details \nIf you have any questions about the workshops\, please email rosieleechstudio@gmail.com.
URL:https://oxfordtouristinformation.com/event/visible-mending-workshop-2/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-15.05.10.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261031T100000
DTEND;TZID=Europe/London:20261031T163000
DTSTAMP:20260420T083818
CREATED:20260223T150855Z
LAST-MODIFIED:20260223T150855Z
UID:10017612-1793440800-1793464200@oxfordtouristinformation.com
SUMMARY:Passementerie: Tassel Making Workshop
DESCRIPTION:Tickets: £120 (Includes lunch and refreshments) \nBook here \nMembers: £96 (Includes lunch and refreshments) \nBook here  \n\nPassementerie – Key Tassels: \nStep into the enchanting world of Elizabeth Ashdown\, one of the UK’s last remaining passementerie makers. Passementerie is officially classified as an ‘endangered’ craft in the UK\, making this a truly extraordinary opportunity to learn rare techniques that are disappearing from our cultural heritage. \nTassels have been beautifying homes for centuries and they make wonderful adornments for contemporary interiors. Come and discover why this beautiful craft has adorned the finest homes and palaces for centuries – and leave with your own piece of that legacy. \nWorking with traditional\, yet endangered\, hand-making techniques and a range of high quality passementerie materials and equipment\, you will learn how to create one complete\, contemporary key tassel using your choice of colours. \nWhat Makes This Special: \n•Learn authentic hand-making techniques\n•Work with premium passementerie materials and traditional equipment to create contemporary tassels\n•Create your very own exquisite key tassel using traditional making methods\n•Discover the secrets behind this fascinating\, endangered craft \nWhat You’ll Experience: \n•Hands-on guidance from Elizabeth\, one of the last remaining Passementerie makers in the UK\n•Access to unusual\, high-quality materials \n•Traditional tools and equipment used by master craftspeople\n•Stories and history behind this beautiful art form \nYou’ll Leave With: \n•One complete\, gorgeous key tassel – perfect for adorning keys\, blind pulls\, soft furnishings or anywhere you want to add a touch of handcrafted beauty.\n•Knowledge of traditional techniques that few people in the UK still practice\n•A deeper appreciation for the artistry behind fine passementerie\n•A unique piece that tells the story of British craftsmanship \nPerfect For: \n\nAnyone fascinated by traditional crafts and heritage skills\nInterior design enthusiasts who appreciate authentic details\nPeople who love learning from true masters of their craft\nThose seeking a meaningful\, meditative creative experience\nAnyone who wants to own something truly special and handmade\n\nLimited spaces available – this intimate workshop ensures personalised attention from Elizabeth.
URL:https://oxfordtouristinformation.com/event/passementerie-tassel-making-workshop/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-15.07.24.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261114T100000
DTEND;TZID=Europe/London:20261114T163000
DTSTAMP:20260420T083818
CREATED:20260223T151215Z
LAST-MODIFIED:20260223T151215Z
UID:10017613-1794650400-1794673800@oxfordtouristinformation.com
SUMMARY:Bojagi: Cloth Gift Wrapping Workshop
DESCRIPTION:Ticket price includes lunch and refreshments \nTickets: £100 Book here \nMembers: £80 Book here  \nDiscover the inspirational qualities of the ancient tradition of Bojagi (Korean wrapping cloths) and piece together your own gift-wrapping cloth using traditional Korean silk fabrics. Learn about the symbolism and traditional use of colour of other Korean textile items in the Museum collections. \nIn the workshop you will learn how to piece your wrapping cloth with a Garumsol (whip stitched) seam. \nSara will also show you how decorative techniques including bakjwi maedup (Bat knot)\, settam sangchim (triple stitching) and jatssi (pine nuts) can be used to embellish the wrapping cloth. \nAll materials required for this one day workshop are provided in the kit. \nFind out more about Bojagi – Korean Textiles.
URL:https://oxfordtouristinformation.com/event/bojagi-cloth-gift-wrapping-workshop-2/
LOCATION:Pitt Rivers Museum\, S Parks Rd\, Oxford
ATTACH;FMTTYPE=image/png:https://oxfordtouristinformation.com/wp-content/uploads/2026/02/Screenshot-2026-02-23-at-15.10.45.png
END:VEVENT
END:VCALENDAR